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Inside Out [2011-DVD]
MOVIE INFO
Info: http://www.imdb.com/title/tt0386534/Peringkat: 5.5/10 Released : 2011Genre : Crime | DramaStarcast : Paul Levesque, Michael Rapaport and Parker PoseySource : DVDFREE DOWNLOAD MOVIE INSIDE OUT
Duration : 1 hour 33 minSize : 111 mbFrom Server APart 1 [56.9 MB], Part 2 [54.2 MB]
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Info: http://www.imdb.com/title/tt0386534/Peringkat: 5.5/10 Released : 2011Genre : Crime | DramaStarcast : Paul Levesque, Michael Rapaport and Parker PoseySource : DVDFREE DOWNLOAD MOVIE INSIDE OUT
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Senin, 26 September 2011
Lolita [DVD-1998]
MOVIE INFOhttp://www.imdb.com/title/tt0056193/Ratings: 7.7/10Released : 25 September 1998Genre : Drama / RomanceStarcast : Jeremy Irons,Melanie Griffith,Frank Langella
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Gavin Berger Reboots Big Apple Circus Big Top: Show's Corporate Funding, Tix Sales, Board Morale Rebound
Update, 9/28: The Washington Post gave Dream Big! a solidly affirmative review.
New Big Apple Boss: Gavin Berger might be the real thing. Photo by Buck Ennis
Show no longer in dread of red, back closer to black. Corporate funding kicking back in, with a matching grant of $1 million met, shrinking a $2.5 million deficit. Ticket sales, down by 20% during the Great Recession, on the rise again. Budget beefed up by $1.5 million. Four recently dropped play dates restored.
Crane Business News credits new exec. director Gavin Berger’s take-charge leadership, eleventh hour corporate funding, and a “re-energized board” for “saving” Big Apple Circus. It’s “back on solid footing.”
Berger was hired on an interim basis only last April. How quickly the board saw in him the perfect mover and shaker to re-boot Big Apple’s world class big top. Four months later, they’ve handed him the “yes and the no.” He apprently brings a welcome bolt of optimism and gutsy in-the trench fund-raising savvy, much needed.
Previously, he directed Lincoln Center concert hall shows, more recently, developmental affairs at Consumer Reports. “We crashed and burned in every direction,” said he to Crane’s Miriam Kreinin Souccar. “But we worked really hard to rebuild.”
It only took Berger a couple of weeks to raise the $1 million needed to match a $1 million grant from the Shelley and Donald Rubin Foundation.
Berger’s believes that the show’s community outreach programs to hospitals need stronger marketing; If more New Yorkers were aware, more ticket buyers might be turned into private donors as well.
Where it all counts, of course, is in the ring itself, and new artistic director Guillaume Dufresnoy is getting strong support from the Board for his desire to bring in new creative teams each season to keep content and production fresh.
Big Apple's new show, Dream Big!, just now uncorking in DC, offers a promising touch of fresh funny air in the menagerie. Along with the dogs and horses that have become Big Apple staples in the tricky animal-rights era, they've added an African crested porcupine and a Vietnamese potbellied pig.
I’m laughing inside, trying to picture the pig.
New Big Apple Boss: Gavin Berger might be the real thing. Photo by Buck EnnisShow no longer in dread of red, back closer to black. Corporate funding kicking back in, with a matching grant of $1 million met, shrinking a $2.5 million deficit. Ticket sales, down by 20% during the Great Recession, on the rise again. Budget beefed up by $1.5 million. Four recently dropped play dates restored.
Crane Business News credits new exec. director Gavin Berger’s take-charge leadership, eleventh hour corporate funding, and a “re-energized board” for “saving” Big Apple Circus. It’s “back on solid footing.”
Berger was hired on an interim basis only last April. How quickly the board saw in him the perfect mover and shaker to re-boot Big Apple’s world class big top. Four months later, they’ve handed him the “yes and the no.” He apprently brings a welcome bolt of optimism and gutsy in-the trench fund-raising savvy, much needed.
Previously, he directed Lincoln Center concert hall shows, more recently, developmental affairs at Consumer Reports. “We crashed and burned in every direction,” said he to Crane’s Miriam Kreinin Souccar. “But we worked really hard to rebuild.”
It only took Berger a couple of weeks to raise the $1 million needed to match a $1 million grant from the Shelley and Donald Rubin Foundation.
Berger’s believes that the show’s community outreach programs to hospitals need stronger marketing; If more New Yorkers were aware, more ticket buyers might be turned into private donors as well.
Where it all counts, of course, is in the ring itself, and new artistic director Guillaume Dufresnoy is getting strong support from the Board for his desire to bring in new creative teams each season to keep content and production fresh.
Big Apple's new show, Dream Big!, just now uncorking in DC, offers a promising touch of fresh funny air in the menagerie. Along with the dogs and horses that have become Big Apple staples in the tricky animal-rights era, they've added an African crested porcupine and a Vietnamese potbellied pig.
I’m laughing inside, trying to picture the pig.
200 MPH [2011-DVD]
MOVIE INFO
Info: www://imdb.com/title/tt1823051/Released : 2011Genre : Action | RacingStarcast : Jaz Martin, AnnaMaria Demara and Paul LoganSource : DVDFREE DOWNLOAD FILM 200 MPH
Duration : 92 minSize : 110 mbFrom Server APart 1 [51.9 MB], Part 2 [58.3 MB]
From Server BPart 1 [51.9 MB], Part 2 [58.3 MB]
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Info: www://imdb.com/title/tt1823051/Released : 2011Genre : Action | RacingStarcast : Jaz Martin, AnnaMaria Demara and Paul LoganSource : DVDFREE DOWNLOAD FILM 200 MPH
Duration : 92 minSize : 110 mbFrom Server APart 1 [51.9 MB], Part 2 [58.3 MB]
From Server BPart 1 [51.9 MB], Part 2 [58.3 MB]
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Minggu, 25 September 2011
Bunraku [2011-DVD]
MOVIE INFO
Info: http://www.imdb.com/title/tt1181795/Release Date: 30 September 2011 (USA)Genre: Action | Drama | FantasyQuality: HDRipCast: Josh Hartnett, Demi Moore and Woody HarrelsonSource : VODRipDOWNLOAD FILM BUNRAKU
Duration : 2h 4mnSize : 149 mb
From Server APart 1 [71,6 MB], Part 2 [77,2 MB]
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Info: http://www.imdb.com/title/tt1181795/Release Date: 30 September 2011 (USA)Genre: Action | Drama | FantasyQuality: HDRipCast: Josh Hartnett, Demi Moore and Woody HarrelsonSource : VODRipDOWNLOAD FILM BUNRAKU
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Showbiz David to Rank U.S. Circuses .... You Can, Too!
Due sometime in October, a first for this blog, I'll rank seven major touring shows, first to last place.
Plus, year-end commentary on the season just past. Highlights and thoughts.
I'd like to hear from YOU! -- Send me your top three favorite circuses, ranking each from first to third place. I'd recommend you stick to the regularly touring shows with fixed programs, but you can consider outside the envelope if you wish: Shrine dates, smaller shows. You should have seen each of your three favorites within the last two seasons, although I do not require a sworn staement. (Cirque du Soleil does not count; these are U.S. shows we're' rating.) You are encouraged to factor in both content (the acts) and production values.
If you happen to be Anonymous: I will consider including your tabulations based upon my perception of whether or not your remarks bear an obvious hidden agenda.
Step right up! Tell me which show American circus is TOPS and why!
Plus, year-end commentary on the season just past. Highlights and thoughts.
I'd like to hear from YOU! -- Send me your top three favorite circuses, ranking each from first to third place. I'd recommend you stick to the regularly touring shows with fixed programs, but you can consider outside the envelope if you wish: Shrine dates, smaller shows. You should have seen each of your three favorites within the last two seasons, although I do not require a sworn staement. (Cirque du Soleil does not count; these are U.S. shows we're' rating.) You are encouraged to factor in both content (the acts) and production values.
If you happen to be Anonymous: I will consider including your tabulations based upon my perception of whether or not your remarks bear an obvious hidden agenda.
Step right up! Tell me which show American circus is TOPS and why!
Sunday Morning Looking Back:The Brilliance of Braathen -- World Premiere of Photographer's Color Slides At ISU Puts Milner on the Map
This first appeared on September 10, 2010
When I first encountered, or should I say wrestled with, the extravagantly overproduced book, Circus: 1870-1950, at the San Francisco Public Library, I was soon swept away by magnificent color photographs I'd never before seen, mostly of floats, costumes, performers and backyard scenes from the John Ringling North era. Such mesmerizing revelations of a circus reinventing its lure in top-of-the-line design art. I could not stop the turning pages.
Many, more likely most, of the more spectacular visuals (can you see a foreshadowing of Cirque du Soleil, above?), are the work of photographer Sverre O. ("Bex") Braathen, and they give this huge, narratively ineffectual volume a clear aesthetic reason for being. They thrill our circus fantasies, bring glory to the big top, especially to the one operated by Ringling-Barnum during the remarkable years of artistic innovation through the 1940s-1950s. In particular, they offer indisputable evidence of the genius of costume designer Miles White; secondarily, of the captivating midway face lifts created by famed industrial designer Norman Bell Geddes.
From whence these heretofore unseen images? I assumed, giving it no thought, oh, from Sarasota or Baraboo, of course. After all, isn't that where all circus illustrations come from?
No! Not anymore. Now, in breathtaking Braathen brilliance, a new gold mine of circus photography is coming to light from out of a place called Normal -- as in Normal, Illinois, home to Illinois State University. The golden goodies, and they number in the thousands, kids, reside in the Special Collections unit of the Milner Library. Their major contribution to the Taschen tome marks a virtual world premiere for Braathen. Before that, though hard to believe, the Kodachrome slides were only viewed when the photographer himself showed them to friends. (Braathan was an attorney by trade, avid circus fan and writer.) Occasionally, some would show up in Bandwagon. Here, through the outreaching generosity of Library Specialist Mark Schmitt, I am posting a sample of the magic.
Best of all, they are now coming to a computer near you, credit the good will of some fine and sharing folks at Illinois State's Circus and Allied Arts Collection, curated by Steve Gossard. You will be able to access a steadily increasing number of Mr. Braathen's shutter delights as they come on line. Here's your link to the inaugural parade:
http://tempest.lib.ilstu.edu/braathen.php
Go ahead, be dazzled. In the current issue of Bandwagon, Fred D. Pfening III, introducing a story written by Mr. Braathen's wife, Faye O., about their 2-week travels with Ringling-Barnum just before its last days under canvas in 1956, ranks the work of Braathen as "only a notch or so below the acknowledged masters of the field, Fred Glasier, Harry Atwell, and Edward Kelty." I'm not completely sure about the sanctity of those names alone. Looking back at old National Geographic magazine stories on circus that featured color plates, several other names standout that I've never heard of. Even Ringling flakmaster F. Beverly Kelley took some superb images that were published by NG. In later years, Ted Sato, serving a brief three- or four-year stint for Ringling, with a superb eye for composition, produced some stellar black and whites; he has yet, in my opinion, to receive the credit his marvelously composed frames truly deserve. But Pfennig, as I see it, is surely correct in placing Braathen near the top.
For color, clarity and the occasional well-framed shot, Braathen is now gratefully engraved in my brain. In essence, his work lends true star power to the Taschen tome, itself essentially a lavish photo showcase with no clear structure to speak of. Mr. Braathen appears to have been particularly adept at grouping performers together in the backyard. For the most part, his camera stayed out of the tent, owing to lighting restraints. I would love to see any action photos he may have taken, but there is no evidence so far that he flourished in this area.
What bothers me the most, among a number of textual sins committed by Taschen's editor Noel Daniel, is that, of the few photo sources acknowledged on jacket copy or in a brief preface, the name of Sverre O. Braathen, is nowhere to be found. Incredible ingratitude --- worse yet, blundering editorial oversight and/or ignorance --- for a photographer whose work gives this sprawling showcase a distinctive recurring luster. Moreover, it seems a crime that photo captions could not have included a code linking each to its respective source.
In one of his e-mails to me, notes Mr. Schmitt,"1/3 of that Taschen book is sourced from our Sverre O. Braathen collection, but we have enough images still to fill, say, 30 volumes set solely devoted to our collection."
Among the gold in Normal, Schmiit estimates they have 3000 COLOR Braathens of Ringling in the 1940s-1950s, approximately 400 of Cole Bros. And for every color shot, Braathen snapped four or five black and whites. He took "thousands" during the 1930s. This epic gold mine has lay unseen for decades.
This 1942 shot of the side show is so quintessential John Ringling North -- the gaudy yet sharply atypical color schemes deliciously seductive. Even theatre critic Brooks Atkinson that spring reviewed the acclaimed Madison Square Garden premiere and issued a raving salute in a special Sunday New York Times piece. The circus of Ringling North had enjoyed a dream season the year before, greeted by one turn-away crowd after another. It's easy to understand how the public was so drawn to and infatuated with the revamped look of the show, from air conditioning units that barely worked to a performance of rare beauty. "It's the best costumed, best lighted and best presented circus in the big show's history," declared The Billboard.
"We also have Arnold Riegger's negatives," writes Schmidt. "Frank Ball's images,and what seems like an endless well of scrapbooks, and loose photographs, not to mention Charles Clark 1922 RBBB images. Thousands upon thousands."
Move over, Baraboo and Sarasota. Normal, you're on.
All photos used with permission from Illinois State University's Special Collections, Milner Library.
From the top:
Antoinette and Arthur Concello
Pocahontas float from "The Good Old Times" spec, Ringling-Barnum, 1952
Midway and entrance, 1941
Henry Ringling North, 1941
Showgirl in tiger spec number, 1944
Lou Jacobs, 1941
The Cristiani Family of bareback riders, 1941
Ringling flat cars loaded, 1941
Side show makeover, 1942
"Hoop De Doo" finale, 1956
Showgirls in spec, 1954
Below: Faye Braathen, Burt Lancaster, and Sverre Braathen.
When I first encountered, or should I say wrestled with, the extravagantly overproduced book, Circus: 1870-1950, at the San Francisco Public Library, I was soon swept away by magnificent color photographs I'd never before seen, mostly of floats, costumes, performers and backyard scenes from the John Ringling North era. Such mesmerizing revelations of a circus reinventing its lure in top-of-the-line design art. I could not stop the turning pages.
Many, more likely most, of the more spectacular visuals (can you see a foreshadowing of Cirque du Soleil, above?), are the work of photographer Sverre O. ("Bex") Braathen, and they give this huge, narratively ineffectual volume a clear aesthetic reason for being. They thrill our circus fantasies, bring glory to the big top, especially to the one operated by Ringling-Barnum during the remarkable years of artistic innovation through the 1940s-1950s. In particular, they offer indisputable evidence of the genius of costume designer Miles White; secondarily, of the captivating midway face lifts created by famed industrial designer Norman Bell Geddes.
From whence these heretofore unseen images? I assumed, giving it no thought, oh, from Sarasota or Baraboo, of course. After all, isn't that where all circus illustrations come from?
No! Not anymore. Now, in breathtaking Braathen brilliance, a new gold mine of circus photography is coming to light from out of a place called Normal -- as in Normal, Illinois, home to Illinois State University. The golden goodies, and they number in the thousands, kids, reside in the Special Collections unit of the Milner Library. Their major contribution to the Taschen tome marks a virtual world premiere for Braathen. Before that, though hard to believe, the Kodachrome slides were only viewed when the photographer himself showed them to friends. (Braathan was an attorney by trade, avid circus fan and writer.) Occasionally, some would show up in Bandwagon. Here, through the outreaching generosity of Library Specialist Mark Schmitt, I am posting a sample of the magic.
Best of all, they are now coming to a computer near you, credit the good will of some fine and sharing folks at Illinois State's Circus and Allied Arts Collection, curated by Steve Gossard. You will be able to access a steadily increasing number of Mr. Braathen's shutter delights as they come on line. Here's your link to the inaugural parade:
http://tempest.lib.ilstu.edu/braathen.php
Go ahead, be dazzled. In the current issue of Bandwagon, Fred D. Pfening III, introducing a story written by Mr. Braathen's wife, Faye O., about their 2-week travels with Ringling-Barnum just before its last days under canvas in 1956, ranks the work of Braathen as "only a notch or so below the acknowledged masters of the field, Fred Glasier, Harry Atwell, and Edward Kelty." I'm not completely sure about the sanctity of those names alone. Looking back at old National Geographic magazine stories on circus that featured color plates, several other names standout that I've never heard of. Even Ringling flakmaster F. Beverly Kelley took some superb images that were published by NG. In later years, Ted Sato, serving a brief three- or four-year stint for Ringling, with a superb eye for composition, produced some stellar black and whites; he has yet, in my opinion, to receive the credit his marvelously composed frames truly deserve. But Pfennig, as I see it, is surely correct in placing Braathen near the top.
For color, clarity and the occasional well-framed shot, Braathen is now gratefully engraved in my brain. In essence, his work lends true star power to the Taschen tome, itself essentially a lavish photo showcase with no clear structure to speak of. Mr. Braathen appears to have been particularly adept at grouping performers together in the backyard. For the most part, his camera stayed out of the tent, owing to lighting restraints. I would love to see any action photos he may have taken, but there is no evidence so far that he flourished in this area.
What bothers me the most, among a number of textual sins committed by Taschen's editor Noel Daniel, is that, of the few photo sources acknowledged on jacket copy or in a brief preface, the name of Sverre O. Braathen, is nowhere to be found. Incredible ingratitude --- worse yet, blundering editorial oversight and/or ignorance --- for a photographer whose work gives this sprawling showcase a distinctive recurring luster. Moreover, it seems a crime that photo captions could not have included a code linking each to its respective source.
In one of his e-mails to me, notes Mr. Schmitt,"1/3 of that Taschen book is sourced from our Sverre O. Braathen collection, but we have enough images still to fill, say, 30 volumes set solely devoted to our collection."
Among the gold in Normal, Schmiit estimates they have 3000 COLOR Braathens of Ringling in the 1940s-1950s, approximately 400 of Cole Bros. And for every color shot, Braathen snapped four or five black and whites. He took "thousands" during the 1930s. This epic gold mine has lay unseen for decades.
This 1942 shot of the side show is so quintessential John Ringling North -- the gaudy yet sharply atypical color schemes deliciously seductive. Even theatre critic Brooks Atkinson that spring reviewed the acclaimed Madison Square Garden premiere and issued a raving salute in a special Sunday New York Times piece. The circus of Ringling North had enjoyed a dream season the year before, greeted by one turn-away crowd after another. It's easy to understand how the public was so drawn to and infatuated with the revamped look of the show, from air conditioning units that barely worked to a performance of rare beauty. "It's the best costumed, best lighted and best presented circus in the big show's history," declared The Billboard.
"We also have Arnold Riegger's negatives," writes Schmidt. "Frank Ball's images,and what seems like an endless well of scrapbooks, and loose photographs, not to mention Charles Clark 1922 RBBB images. Thousands upon thousands."
Move over, Baraboo and Sarasota. Normal, you're on.
All photos used with permission from Illinois State University's Special Collections, Milner Library.
From the top:
Antoinette and Arthur Concello
Pocahontas float from "The Good Old Times" spec, Ringling-Barnum, 1952
Midway and entrance, 1941
Henry Ringling North, 1941
Showgirl in tiger spec number, 1944
Lou Jacobs, 1941
The Cristiani Family of bareback riders, 1941
Ringling flat cars loaded, 1941
Side show makeover, 1942
"Hoop De Doo" finale, 1956
Showgirls in spec, 1954
Below: Faye Braathen, Burt Lancaster, and Sverre Braathen.
Luckily for me, a few of Braathen's wonderful images appear in my forthcoming book, Inside the Changing Circus: A Critic's Guide.
9.10.10
Sabtu, 24 September 2011
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Episode 50 [DVD-2011]
MOVIE INFOhttp://www.imdb.com/title/tt1728976/Released : 2011Genre : Horror / ThrillerStarcast : Josh Folan, Chris Perry and Natalie WettaSource : DVDDOWNLOAD FILM EPISODE 50
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Jumat, 23 September 2011
Apollo 18 [DVD-2011]
MOVIE INFOhttp://www.imdb.com/title/tt1772240/Genre : Science Fiction,HorrorTheatrical Release Date: 02-09-2011Director : Gonzalo Lopez-GallegoStarring: Warren Christie , Lloyd Owen , Ryan RobbinsThemes: Conspiracies,Evil Aliens,Scandals and Cover-UpsTone: Creepy,MenacingLanguage: EnglishSource : DVD / TSDOWNLOAD FILM APOLLO 18Duration : 1hour 26 mins
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Kamis, 22 September 2011
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Review: http://www.imdb.com/title/tt1733578/Date released: October 2011 (USA)Genres: Action | HorrorRatings: 4.2/10 from 377 users Directors: Michael Bartlett, Kevin GatesWriter: Kevin GatesStars: Philip Brodie, Alix Wilton Regan and Rob Oldfield Download Film World of the dead: the Zombie Diaries
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Review: http://www.imdb.com/title/tt1733578/Date released: October 2011 (USA)Genres: Action | HorrorRatings: 4.2/10 from 377 users Directors: Michael Bartlett, Kevin GatesWriter: Kevin GatesStars: Philip Brodie, Alix Wilton Regan and Rob Oldfield Download Film World of the dead: the Zombie Diaries
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Circus by the Slice: Grandma's Last Big Apple Tour ... Felds In a TV Soap? ... PETA Pitching to Seniors ... Bombs Over Bagdad Big Tops? ...
Barry Lubin. Photo by Kelly Shimoda for The New York TimesSwiftly, beware of muddy rhetoric down the Covington chute! Not too unexpectedly, Barry Lubin as Grandma making his last tour with Big Apple Circus, announced a big New York Times story with fine photos. Now 59 and clear of the cancer he was successfully treated for a few years ago, Lubin revealed that the experience had "deepened" his comedy and inspired him to "reassess" his life and career ... It's time for a change, says the clown, who first appeared with Big Apple in 1982 and has been seen in most of their shows since. New Big Apple Boss Guillaume Dufresnoy agrees, telling the Times in his cool-speak, "Grandma gave us a sense of continuity, and Grandma will be missed, but it's an opportunity for everyone. For the evolution of Barry, and for the evolution of the circus."
Show's new edition, Dream Big!, facing the critics tonight at the Dulles Center in DC, is not being promoted as Gradma's farewell tour, even though that's how the Times is treating it. Explains Dufresnoy, "We are presenting it as our 34th edition -- business as usual." Lubin carved out probably the most memorable modern-era American clown, bar none. And now, "Grandma" is off to my grandfather's homeland, Sweden, to take up residence with his partner, Ann Hageus, where he plans to appear in European circus festivals and work with some of the best clowns on a stage tour. Not totally gone, Lubin has signed on to teach a class in physical comedy next year for the University of Virginia's Semester at Sea ... More about this story in a future post ...
How much Feld can a TV soap take? We might get to see next year if an ABC series, now in development, goes the daunting distance. Said to be loosely based on the life of Nichole Feld growing up in a circus family. Now, if they have the nerve to dig deep, there's plenty of high and low drama to mine -- assuming Kenneth Feld does not pry himself and his attorneys into the picture. Still, it's an intriguing iffy. Notes Hollywood actor and documentary film maker Phil Weyland, no stranger to such projects inside and out, "The producers will get some money from ABC, make a presentation with episodic possibilities, budget, etc, and ABC will tell them to keep going (shoot a pilot) or forget it at a certain point. "
From here to to prime time is a long hard journey. Explains Phil, "very few shows make it through this process to even a pilot." Somehow, myself speaking here, I just can't see Kenneth Feld feeling very easy or smug, proud or boastful about a TV show that might crawl, sneak, lurch ever so close to revealing not-nice things about his family's checkered relationships and history.
Of course, PETA is smearing the series already, predicting it will be a "glamorized cog on the Ringling Bros. PR machine" unless, specifies PETA, the producers illustrate "how baby elephants used by Ringling are taken from their loving mothers, repeatedly slammed to the ground, gouged with bull hooks, and shocked with electric prods to teach them 'who's boss." Oh, is that all? Gosh, PETA, could you be a little more explicit
Feeling the pressure in Sacramento, Ringling's elephants for the first time in history did not make the public walk to the Power Balance Arena. Oh, the heat is not just on over here, no no! In Britain, the Lords defied Prime Minister Cameron in pushing to advance legislation that would ban wild animals in circus shows ... Speaking of which, here comes PETA around yet another creepy corner, this time turning its hate brigades onto seniors, seeking their moral support. They're running ads in AARP.Com They've got 85-year-old actress Cloris Leachman on board, she calling for her class to boycott any circus that features elephants. In a video, cracks the Cloris chorus: "And we thought the hoops we have to jump through for Medicare are a nightmare." That's right, Ms. Leachman, to get proper pachyderm coverage, you gotta jump up and down and all around in spangles and stand on your head ...
Little top Bits: Closer to a merger are Circus Sarasota and Sailor Circus ... Ringling-Barnum pitching two-for-one tickets recently during its Bay Area stops ... Bombs over Bagdad big tops? That's what the Associated Press essentially wonders, reporting on the return of the first circus to the battle-crazed country, first since the U.S.-led invasion in 2003. Optimistically called the Umbrella Circus, and let's hope it's made of steel. A little lean in the lineup, most artists refuse to sign on, but, as of 9/8, a sword swallower and a sneak charmer were costumed up, ready to make opening spec. Lions and tigers awaiting permission by customs inspectors to snarl on cue. But on went the show, it did, as witness the above photo. One fan willing to risk danger in the pursuit of delight was Alawan Ghazi, who showed up with his three children. "Car bombs and weapons find their way easily to Iraq, " said he. "But bringing circus animals is a more difficult task here." Circus is planning a six month tour of duty.And to Barry Lubin, embracing a wide-open future, goes the last word: "I've finally accepted that I'm a clown," he told the Times. "That's what I do." And please, Barry, do keep doing it!
Doomsday Prophecy [2011-DVD]
MOVIE INFO DOOMSDAY PROPHECY
Released : 2011Genre : Sci-FiStarcast : Jewel Staite, Alan Dale and A.J. BuckleySource : DVDDOWNLOAD Film Doomsday Prophecy
Duration : 1h 28mntSize : 106 mbFrom Server APart 1 [53 MB], Part 2[52,8 MB]
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Released : 2011Genre : Sci-FiStarcast : Jewel Staite, Alan Dale and A.J. BuckleySource : DVDDOWNLOAD Film Doomsday Prophecy
Duration : 1h 28mntSize : 106 mbFrom Server APart 1 [53 MB], Part 2[52,8 MB]
From Server BPart 1 [53 MB], Part 2[52,8 MB]
From Server CPart 1 [53 MB], Part 2[52,8 MB]
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All My Children: I thought You'd Always Be There. Nothing Lasts Forever, Not Even A TV Soap
Queen of Soaps: Susan Lucci. Will she sign on to a projected continuation of "All My Children" on the internet or cable TV?What a strange poignant sadness I feel. I haven't watched the show seriously in years, other than looking for Erica a few times a year and then rarely finding her. It was she who hooked me, around 1980, her wickedly subtle sense of humor, I swear. Oh, heck, I'm going to make an embarrassing confession here. I once actually sent her a fan letter, but only because I found her so funny and wanted to tell her so. For a time, they treated me as a fan of their club. I did not respond.
Giving birth so many years ago.For my money, too many of the show's more interesting characters faded away over the years, leaving us with a lot of rather dull posturing studs and dolls. The clever potting that so once compelled me seemed to slacken off. Two of my favorite characters were Palmer and Opal. Palmer is no longer there, it appears. Opal is.
A great actor: David Canary played both the ruthless tycoon Adam Chandler, above, and his lovably innocent pure-as-sunshine brother, Stuart.Today I had to watch the whole thing, the Grand Inevitable Finale, and Erica did not let me down. Long-time love, Jack, below, vexed again in his latest offer of marriage to Miss Elusive, finally had the guts to tell her, "Frankly, I don't give a damn!" and head for the door. Erica followed after him, stopped with that plotting gaze in her selfish eyes, and had the last word on the last ABC episode of All My Children: "Watch me!"
Lost in a perennial dating game, Erica forever balking at marriage. Jack has had it. Just the fact that, after 41 years, it's going off the air feels like the end of an era that I once was a part of, and era that I would still like to feel existed.
It feels like a great big death in a virtual family.
9.23.11
Selasa, 20 September 2011
13 Assassins LIMITED [BDRip-2011]
Movie Info 13 Assassins
Original name: J san-nin no shikakuRelease Date: 02/07/2011Filename: 13 Assassins LIMITED BDRip XviD-DoNE.aviGenre: Action | Adventure | Dramalanguage: Japanesesubtitles: English, IndoRuntime: 125 minsIMDB Rating: 7.9/10 Directed By: Takashi MiikeStarring: Kôji Yakusho, Takayuki Yamada and Yûsuke IseyaSource: BDRipDownload film 13 Assassins
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Original name: J san-nin no shikakuRelease Date: 02/07/2011Filename: 13 Assassins LIMITED BDRip XviD-DoNE.aviGenre: Action | Adventure | Dramalanguage: Japanesesubtitles: English, IndoRuntime: 125 minsIMDB Rating: 7.9/10 Directed By: Takashi MiikeStarring: Kôji Yakusho, Takayuki Yamada and Yûsuke IseyaSource: BDRipDownload film 13 Assassins
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Area 51 [2011-DVDRip]
Movie Info Area 51
Release Date: 2011-09-19Genre: Horror | Sci-Fi | ThrillerRuntime: 1h 29mnSubs: NoneIMDB Rating: 3.7/10 from 461 usersRT Critics: No Reviews YetDirected By: Jason ConneryStarring: Beau Brasseaux, Jason London and Bruce BoxleitnerSource: DVDDownload Film Area 51
Duration : 1 hr 29 minSize : 107 mbFrom Server APart 1, Part 2
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Release Date: 2011-09-19Genre: Horror | Sci-Fi | ThrillerRuntime: 1h 29mnSubs: NoneIMDB Rating: 3.7/10 from 461 usersRT Critics: No Reviews YetDirected By: Jason ConneryStarring: Beau Brasseaux, Jason London and Bruce BoxleitnerSource: DVDDownload Film Area 51
Duration : 1 hr 29 minSize : 107 mbFrom Server APart 1, Part 2
From Server BPart 1, Part 2
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ROBOTROPOLIS [DVD-2011]
MOVIES INFOInfo: http://www.imdb.com/title/tt1754438/Release Date: 2 September 2011Genre: Action | Adventure | Sci-FiStars: Zoe Naylor, Graham Sibley and Edward FoyQuality: DVDRipEncoder: Kill-9@GanoolSource: DVDRiP XViD-TASTERelease Info: NFOSubtitle: Indonesia, English (N/A)Souce: DVDDownload Film Robotropolis for Mobile Phone and Notebook
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Minggu, 18 September 2011
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Sunday Morning Musings: Remember the "Aerial Ballet"? It's Back, Bringing Fresh Ideas to Stale Air ...
Time to play taps for single traps?
New life in the air: A duo in Shanghai. Photo by Boyi Yuan.For a spell of maybe 20 to 30 years, the Felds let it go, and for probably good reason. The aerial ballet, brought to its maturity under John Ringling North, had turned stale and redundant.
Lately, this potentially enchanting form is reasserting its value to the show.
Item: Ringling of late is carving out some wonderfully inventive multi-aerial displays, either intended as aerial ballets or, by accident, taking on their form. The more creative they are, the more welcome.
Item: One of the highlights of this season's Cole Bros Circus of the Stars is its aerial ballet. Like what the Felds are giving us. Johnny Pugh, the same, has the space and he is filling it in a number of ways not uniformly fixed. In fact, the more varied the movements of the individual aerialists, the more interesting are they to watch. You could argue, but what is anybody doing up there that amounts to much? I'd answer, altogether, especially with a variety of movements, their combined efforts create a most pleasing kaleidoscope of poetry in motion.
Item: in the confines of one ring, John Ringling North II offers his four North Starlets, and although they can't compete with the wider spread of action offered on Ringling or Cole, they, too, offer audiences something above the ring decidedly more enchanting than perilous, which may be why the aerial ballet, when presented with inventive flair, may come to actually replace the older era "daredevils." Actually, circus daredevils seem to be on the wane, thanks to their secured counterparts hooked to mechanics whose allusions to danger aloft simply don't fly.
This is my guess: Over the past 20-30 years, as a younger generation took to the fabrics (aka: webs, silks), much of their solo work simply did not generate sufficient excitement. Then came the duos, prominently if I am correct, from China, and also coming out of Cirque du Soleil, who combine strong athletic connections with lovely romantic imagery. They fill the air, unlike the nouveau practitioners of the "static trapeze." In this sense, they, working what they call the "sensual silks, have helped us find a viable new flight pattern back into the air by way of adding more bodies to the display. The result: a new day for the airborne ensemble.
It's the creative staging that is making the difference, setting apart what's new from what had become too predictable and passe. In addition, this less-adventurous form gives audiences a far less hazardous vision, which I suspect is that they have grown to desire.
Is it time to blow final taps for the single traps? For those flyers who rely on lifelines, yes. The safety wires render their routines false, theatrically interesting at best. Without risk, why the wide swinging arcs? Why the sudden dives away from the bar?
In 1948, Barbette had the girls performing on a dazzling array of aerial rigs in his Monte Carlo Aerial Ballet.
In 2011, the Felds set a consortium of Asians into the air, flying on straps, and the effect was perfectly pleasing. It was novel. Different, Enchanting.
What more can one ask of the aerial ballet? Heck, it could soon become one of the most awaited-for items on the program.
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