Selasa, 31 Mei 2011

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Mired in Sub-prime Talent Sans Direction, Cole Bros Circus of Stars Slides Deeper into Circus-Carnival Land


Circus Review: Cole Bros. Circus of the Stars
North Brunswick
May 20, 4:30 PM

NEW JERSEY - Sad to see, and even sadder to report (I did not want to write this review) that John Pugh’s circus is taking the lower carny-circus road. That’s what, unfortunately, I saw with about maybe 150-200 other people on a rainy day in New Jersey. This year’s effort is starkly inferior to the last Cole show I caught, in 2005, a far more polished presentation, even though that outing, too, had the kids riding ponies in the ring — among other concessions — before and during intermission. This time around, however, the entire program looks more ragged, more haphazardly formed.

Not to linger in the key of regret any more than need be. First, the good news. Believe everything you’ve heard about the tiger act of Germany’s Judit and Juergen Nerger. It’s a beaut and a wonderful departure from the norm, so fluidly crafted, so hauntingly scored. To whomever arranged the music — one of, if not the best scored wild animal acts I have ever seen — Kudos! A rare achievement in big cage art.

In fact, more good news, scoring throughout the entire program is generally excellent, credit musical director Leigh Ketchum for his excitingly up-to-date charts. As for those of you who long for “Entrance Gladiators” and all the other various 75-year-old circus standards, get over it, kids. This is not the year 1933. I suggest moving your clocks ahead by a century.

Staying on our high, another memorable moment is a finely arranged aerial ballet which fills up the rectangular performance area beautifully. So picture perfect. Follow this with the delightful poodles handled by the Abuhadba family (one dressed as Superdog), and there you have the high points.

Now, if you want your idyllic circus memories left unspoiled, I suggest you exit here.


It’s a brawny big top, and not a very toned one at that. So brawny that a huge, not very in-tune forklift serves in lieu of ordinary roustabouts to bring in the tigers in their cages to the edge of the big cage, and later to haul in the rickety globe of death, making it sound like tear down has already begun. Call this the hydraulic edition. Just another time-consuming eyesore that makes this one of the more disjointed and ill-directed circuses you are likely to see in a long long while.

Standard so-so staples may please the average patron: The elephants are as big as ever, and they do almost enough to earn minimum wage. About adequate are both Laura Herriott’s assorted menagerie and a globe of death motorbike act hardly noteworthy by today’s dreary diesel standards. Hardly adequate are the trying Flying Ponces, who do practically nothing, although I enjoyed the jazzy music. Rounding out the lineup, there’s a cannon shot by Jose Bermudez, and the proficient work of Russian equilibrist Lana, both delivering the goods. Another act listed in the program that I can’t recall seeing was Gelson & Company.

Instantly forgettable are the intensely silly clowns who go by the name of Bermudez Family.. They were easily upstaged by a crazy car that breaks apart at the center. Very funny. Comic relief from Detroit.

Show started a half hour late, owing to elephants rides, dull inexplicable dead spots, etc., during which course I spotted two clowns loitering aimlessly about the tent, doing just what, I could never quite figure. And why, may I ask, has Cole joined a number of other shows, including Ringling-Barnum, that preface the performance with the National Anthem? Are they so insecure these days, so desperate for public acceptance that they have to flaunt the flag? Yes, wrap it all up in God and Patriotism, make it look like a sacred holiday, and nobody will dare complain.

Show’s most prominent figure is often in-our-faces ringmaster Chris Connors. Only one act into the program and he is already asking us, “So ... how are you enjoying the show so far?” After the next act, he is back at us, this time pitching glow-in-the-dark sticks.

Not to prolong the pain, wrapping up, here is what I think John Pugh needs to do:

1. Limit Connors to about 100 words max per show.

2. Fire the clowns but keep the funny car.

3. Use the forklift to pitch the rides — and itself — out onto the midway where they belong.

4. Hire a professional director from outside the circus community.

5. Retain music man Ketchum

6. Pray for artistic redemption.

Rapping out, this is exactly what I think John Pugh will not do. After all, he runs a successful circus. I do not.

Overall rating (out of 4 stars tops): 2 stars

Senin, 30 Mei 2011

Big Top Bits to Go or Toss: ... "Please Do Stop Blogging," Exhorts a Frustrated Follower, Unable to Stay Away ; My Exit Advice ...

It's a twittery feel, this being back in Oakland, Covington connected, though it was fun sitting in train stations and blogging, even if I didn't thrill everyone or even a few ... Well, I had fun, and that's what this here thing is all about.

What I do for this prolonged passion or addiction of habit of mine, watching circuses and each time hoping for a transcendental experience, having to settle for popcorn at $4 a box, not bad that, at the Big Apple, where getting a concession is such a breeze, they've got you picking up what you want from one wagon and moving to the cash guy and his box in a tent, and, remarkably, it goes fast. Not so on the technologically constipated ticket wagon, about which, oh heck, let me rant about that at a later date. Let's keep the upbeat upbeat, I had such a glorious day at the Big Apple Circus.

I see here that in Atlantic City there's to be a "mostly" Naked Circus at the Resorts Casino Hotel, the strippery taking place in a parking lot tent, come July. Gals to wear pasties and G-strings. The shindig designed to "win back millions" lost under previous ownership ... Down came the Lewis and Clark tent during a storm in or around Pittsburg, and how eerie -- Pittsburgh, where Ringling's tent fell for the last time in '56. Among a crowd of "dozens" unable to get out before the storm attacked, one patron was left seriously injured, other suffering minor cuts.

Kelly-Miller's music man "Lucky" Eddie Straeffer, interviewed in a news story in Sugarcreek, Ohio (love the name), telling how, fifty years ago, he ran away to join the Ringling-Barnum circus; he was good friend's with John Ringling North II. When North II bought Kelly-Miller five years ago, he called up Straeffer and offered him the musical post. In retirement at the time, Straeffer had served as superintendent of a historical museum. He's also a sculptor, and is not above doing cherry pie; on Kelly Miller he also manages the ticket department ...

Felds Fail to Move a Jury. In court over cross allegations about nasty family squabbles (a reality show here?), one being that Kenneth Feld hired security guards to assault his sis Karen during a memorial service for their late aunt. Kenneth's complaint was that his sister made an awful ruckus at a shiva in 2007 by poisoning the atmosphere with "anti-Semitic obscenities." Neither side proved its case, concluded the jury. Kenneth told the media he was "happy with the outcome," but sorry the ugliness advanced this far ... Ho, hum.

UK says yes to circus animals. The right of circuses to feature those four-egged hoofers upheld. "This is a great day for classical circus," said Urs Pilz, president of the European Circus Association (ECA), noting that London is the birthplace of the circus as we know it, or knew it ..

Finally, I get nice comments and not-nice comments, and here's an inbetweener from Jeff Swanson which I did not post, griping about how "wordy" and "verbose" I am (well, that might be; haven't I said I feel like a writer trying to be a writer?), wishing I would fit myself better into proper circus blogging, whatever that might be. Jeff rues all of the looking-back pieces I am posting -- Actually, only one per week, in the Sunday slot once handed over to philosopher Krishnamurti, whose ideas that so intrigue me never once, to my recollection, produced a single comment. Jeff finds that 70% of my blog "has no substantive news or information". Could be. Worse yet, most of what appears here, says he, has already been covered on the other blogs. Gosh, I go at my own pace, hardly expecting ever to generate any ad revenue.

Now, here's what puzzles me, Jeff. You say you've been following me for three years, and I have to wonder, why? When I get bored or irked by a radio talk show host, for example, and it doesn't take three years, I just turn off the radio. In a way, I feel flattered that you have hung around. You say my blog "has a place along with other circus blogs," that it could "be so much better and worthwhile." Yeah, I think I know what I could do to give you what you may think you want, but giving it to you would, sorry to say, bore me to death, and I'd shut this thing down in a few weeks.

OK, a brief primer on why I pitched this little tent in the first place. (Is anybody still there?) I never set out to be the most popular or I would have done a number of things such as posting daily. I go with my own flow, having resolved at the outset never to bind myself into any one particular voice or type of article, etc. The moment I feel imprisoned in a straitjacket, pandering to perceived expectations, is the moment I'm out of here.

What's a little baffling is that, even though traffic has increased, those who leave comments do not amount to even half a percent of the traffic. And I value getting comments, for from some, I learn. I'll say this, Jeff, you did make me laugh, your opening was clever:

What set Jeff off was the ending to a recent post, in which I declared, "I can't stop blogging." Responded Jeff, "David, Oh David, please do stop blogging."

I'm smiling again. Even laughing.

Sorry, Jeff, doing it my way, I have fun. Interesting that, last month, I pulled in the most visits and more importantly, the most page views ever -- for my blog. And I have no illusions that I can match a few of the big ones like Buckles or Pat (I assume they are big). And this month will top last.

You are, of course, free to exit, and I'd be happy to give you your money back, except that, oops, I think you got in for free.

May all your days be less boring than those you spend letting me frustrate you ...

Minggu, 29 Mei 2011

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Selasa, 24 Mei 2011

Circus World Museum Hires, Finally, a Librarian ... Atwell Photos Coming to a Computer Near You ...

Baraboo is back in its own spotlight, touting the installation of Peter Shrake, previously with the Sauk County Historical Society, to head up the Robert L. Parkinson Library and Research Center. He's got a two-for-one title, archivist and librarian.

It's about time, Circus World!

The news issued by Seve Freese, also revealing a second appointment, that of Baraboo business man and "circus enthusiast" Ralph D. Pierce , brought on board to undertake digitizing 1,377 glass plate negatives snapped by famed Harry Atwell, whose images were used by circus press agents of the era. Time line ranges from 1905-1930. An anonymous donation from a private donor is said to have funded these appointments.

Best of all, we will very soon be able to access Atwell's work on-line, as soon as "a month or so."

The goings on at this non-accredited museum can be puzzling, if not mystifying. Me wonders if Circus World fears being left in the dust as the Ringling Museum of Circus in Sarasota continues its empire building, and as the aggressively emerging Milner Libary at ISU in Bloomington makes a bigger mark on the world with its own formidable photo collection starring the superlative color work of Sverre Braathen. Plus, they've got a huge collection of books, more, says librarian Maureen Brunsdale, than her Sarasota rivals ...

Big Top Bits: How to return danger, or its illusion, to the big top: Cirque du Soleil hiring Canvasland Levin of New Zealand to produce a large cushion for emergency landings by aerialists during Japanese earthquakes. These modern pads, made of nylon, said to allow a performer to fall on front or back side, "in any position without risking injury." ... A Cirque high wire act had been grounded owing to high probability of after shocks. The advanced cushions were rushed out to Tokyo so the act could continue ... There is new promise here, that perhaps one day a circus will perform over a surface underpinned by such padding technology, thus allowing for the elimination of the unsightly and demeaning mechanics. Or maybe by then, some other inventor will have devised an invisible mechanic. OK with me. Just don't tell me when it's being used. I'll take a good illusion over a bad reality ... Water for Elephants, if I read the box office figures correctly, fading fast ... Circus Historical Society's Virtual Library adding scans by Robert Spivey, Hal Guyon, Jr., Judy Griffin, and Bob Cline ... The group's annual convention to spread sawdust over For Mitchell, Kentucky, June 6-11, during The Amazing American Circus Poster Exhibit in session at the Cincinnati Art Museum ... Here's a spiffy little top that gives off a breezy old canvas smile: Culpepper & Merriweather Circus's brand new blue and white beauty ... Carson and Barnes Circus this year celebrating its 75th anniversary on the road, John Ringling North II, his fifth ... That means, in Ringling time, he has three more years to get Kelly-Miller circus onto the rails ...

How geographically clever am I? At the moment of this posting I am on Am tracks, somewhere not far from a legendary circus landmark. See you up the rails, slow-speed fans ...

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