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Circus Showmanship 101: Timeless Advice

"Don't over look the big 'if'. There is little doubt that shows will do an excellent business if they have real entertainment to offer, present it in a showmanlike manner, give the shows the proper exploitation, and keep faith with the public. Unless they are prepared to do those things, they might as well stay in the barn. It will save 'em money."

From The Billboard
March 28, 1931.

The Speed of Thought [DVD-2011]

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Guitar & Bass Magazine 2010 to 2011

MagazinesGuitar & Bass Magazine 2010 to 2011Guitar & Bass offers you the very best instrument reviews. Our product testers are all leading industry professionals and we've helped thousands of readers make the right choice about kit. And when you occasionally put down that guitar, there are plenty of entertaining interviews with all your favorite guitar hero's.Download Guitar & Bass Magazine 2010

Sinbad And The Minotaur [DVD-2011]

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Battle Los Angeles [2011-AVI]

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Mars Needs Moms [AVI-2011]

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Husk [2011-AVI]

MOBILE MOVIES INFOReleased : 2011Genre : Drama | Horror | ThrillerStarcast : Devon Graye, Wes Chatham, C.J. Thomason, Tammin SursokSource : DVDDownload Gratis Film Husk
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PC Magazine - April 2011

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Magazines NZ4WD - April 2011

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WatchWorld UK - Spring 2011

New MagazinesWatchWorld UK - Spring 2011WatchWorld UK is the leading watch magazine in Great Britain, revealing all there is to know about the fascinating world of "haute horlogerie". Our British editors pay special attention to the British watch market, designers, watchmakers, jewellers and special events to make this a truly British publication.WatchWorld UK - Spring 2011PDF | 101 pages | 33.8

Merlin And The Book Of Beasts [2010-AVI]

Movie Info!Release Date : 2 October 2010Genre : Fantasy, sci-fiStarcast : James Callis | Laura Harris | Donald Adams | Monique GandertonDownload Gratis Film Merlin And The Book Of Beasts
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Sinopsis Film Merlin the book of beasts
Sorcerer Arkadian has taken over Camelot with a zoo of

Gnomeo n Juliet [2011-TS]

Release Date : 11 February 2011Genre : Animation | Adventure | Comedy | Family | Fantasy | RomanceStarcast : James McAvoy,Emily Blunt,Jason Statham,Michael Caine..Download Film Gnomeo n Juliet
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Sinopsis Film Gnomeo n Juliet Garden gnomes Gnomeo (voice of McAvoy) and Juliet (voice of Blunt) have as many obstacles

Black Swan [2011-AVI]

Release Date : 25 February 2011Genre : Drama | Mystery | ThrillerStarcast : Natalie Portman, Mila Kunis and Vincent CasselDownload Film Black Swan
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Sinopsis Black SwanA ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind

My Sister Loved the Shrine Bears; Frisco Loved Burck's Tigers; John Pugh Loves Never Selling Cole Bros. Circus ...

A pithy potpourri, plentifully positive, properly plumped for popcorn people, prefaced by this glee-mail from my sister Kathy, in Omaha:

"Hi David,

I went to the Shrine Circus today, and I saw the MOST CHARMING BEARS I HAVE EVER SEEN IN MY WHOLE LIFE!!!! THEY WERE ABSOLUTELY WONDERFUL!!!!! I also saw a fella that worked with ropes and whips (I never would have thought I would have liked that in a circus........but he was a FABULOUS ENTERTAINER! And a high trapeze artist by the name of Rebecca, who was fabulous! I loved seeing these acts, but was somewhat disappointed by some other things. However, it was wonderful attending the circus again......and I am a "kid of all ages".

Can you name the circus? I'm still awaiting a name and place from Kathy.

And here, from the San Francisco Chronicle dated August 23, 1984, discovered whilst purging my papers to de-clutter and hone, bone down to durable dust, and admit fresh air into my musty walk-in closet, is rare praise for the our own ...

"On the other hand, Wade Burck, a fresh-faced tiger trainer from North Dakota, at least displays genuine affection for the beasts with which he shares his working hours. Burck's six Siberian tigers and nine Burmese white tigers are gorgeous, beautifully groomed, and evidently happier with their lot than those pitiful camels. Ditto the performing bears -- despite the foolish tutus and wrestler's togs they've been made to wear."

Oh, but patron Kathy might have adored the bruins in high fashion. High honor, anyway, from Frisco, a town not afraid to turn out real circus reviews! Wade evidently still values the beauty of beautiful animals; take a look at his blog, (the link, his name, to your right) and behold some of the most gorgeous photos you will see of life's living menagerie.

Covinton Connected, Cirque du Soleil is advance puffing record-breaking profits for the year 2011 exceeding (cry your hearts out, Hugo) $1 billion bucks. Revenues last year reached $850 million. Now wait, 2011? Isn't that the year we just entered?

What troubles me about such puffery: Claims second in commander, Daniel Lamarre, " so far, no show has ever recorded a loss." No, no, please Mr. Lamarre, are you telling me that your Banana Shpeel actually made money? I think not. The Beatles Vegas show, says he, "has continued ... to pack in audiences at a 2,000 seat theatre>" I'mmmmmm not so sure, sir. On the PBS Cirque give-away special, I thought I saw an ominous number of empty chairs, no? Now, here's the caveat kicker: The rosy "forecast" -- that's what it really is -- "relies on the success of three new spectacles," including the Hollywood installation at the Kodak Theatre and a stage spectacle at Radio City Musical Hall -- oops, that's New York, not exactly a guaranteed venue for any Cirque offering. Maybe they've learned their lesson and can magically avoid another banana bust.

OK, let it go, to myself I puff. Here's tenuous tanbark talk: Rumorhazzit (I miss Billy Barton when I spell it that way, his way) that John Pugh pitched his Cole Bros Circus to the Byrd family, but they were not buying. Rumors forever. How many centuries now have I been hearing that Johnny wants to get out from under the big top just as soon as he can find a buyer? Strange, he keeps on owning it AND having it up for sale. Maybe he's desperate to raise the $150,000 court fine he has to pachyderm up for his murky elephant sale to a Davenport named Gopher.

Kathy, I'm dying to know of those things at Shrine that left you wanting? Did you know that somewhere in China, a Panda bear performs! Those creatures are so absolutely adorable. How I would love to hug one, if only it would promise not to hug me back. Unrequited love sometimes is the only option, even with a pre-nuptial.

Unknown [2011-AVI]

Release Date : 18 February 2011Genre : Drama | Mystery | ThrillerStarcast : Liam Neeson, Diane Kruger and January JonesDownload Gratis Film Unknown
Duration : 1hr 47minsSize : 151 MbDownload Part 1 (75.87 MB)Download Part 2 (75.85 MB)
Sinopsis Film Unknown "Take Back Your Life"A man awakens from a coma, only to discover that someone has taken on his identity and that no one, (not even his wife),

Circus Scramble: Pee Wee's Boffo Big Top ... S.F. Student Masters "Static Trapeze" ... Kelly-Miller in the Mud Again ... 46 Acts in 45 Minutes!

A Circus invades farmer Pee Wee's barnyard, and that's the inspired premise of one of the best circus movies I've ever seen, Big Top Pee Wee. And what a glorious delight after, the night before, slogging through one of the dumbest, most retarded "circus" flicks of all time, a slow-as-a-snail workout from France called Around a Small Mountain. The Pee Wee version of circus is ingeniously inventive, amusing, magical. And what a High Payoff ending -- the most gloriously festive parade full of folksy color and animation set to a rousingly right tune, and then a procession of four legged stars following Pee Wee across the high wire ... ' Tis a Sarasota shame that Paul Reubens, the creator of Pee Wee, allowed himself so reckless a personal encounter in that tacky movie house; it set his career back by years. Anyway, I'm glad Reubens is back, maybe on Broadway, or in a show with "Broadway" in the title about to air on HBO. If you haven't seen his movie AND if you believe in old-fashioned circus, see it now! ...

Daring Young Man on a Dead Trapeze: Sounds dead to me, but, of course, the time being the ballet-precious present, and the venue being once-again beleaguered San Francisco Circus Center-School-Post Pickles Circus Residue, etc., etc., the choreography on the "static trapeze," as it is officially called, might have a certain Balanchine bounce. Aerialist Dude is 28-year-old Grey Lux, and he is quoted in a story about money problems at the S.F. Center, talking up the quality of instruction he is getting at the school -- about $35 per class -- touting its alumni as among "some of the greatest performers in the circus world." An astonishing claim; I'd love to see some of these stars some day, somewhere. They are surely not showing up on any of the shows that come my way. And why in the world not, I wonder, considering, per claims, that the Circus School currently has 50 teachers and 500 students! ... Read on ...

They once called it The Pickle Family Circus: About the S.F. Center itself, reducing the intricacies of insolvency and reorganization down to whatever they have left in the cookie jar, which periodically gets looted by self-serving hot shots apparently making hay off of hefty student tuition fees, well, they have peanuts left to sell. And now they have yet another new board of directors and another new executive director, Ayla Agarwal. She was once herself a student of the school. Says she, to her provisional credit, she has "no intention of taking a salary." Behold the strange twisted legacy of the once vibrant Pickle Family Circus. Might this be what faces the Big Apple Circus of tomorrow?

On a recent lot, the view from Steve Copeland's door

Mud, Glorious Mud! Yes, that would be the course by default into which Kelly-Miller Circus recently slipped (it had to happen, per cosmic script) . The lot in Navasota, TX, was well watered, up to a couple of inches around the track, credit the elephants breaking a water pipe. Mother Nature is not always to blame. How do I know all this stuff? I am following Steve Copeland's deliciously detailed blog. Perhaps John Ringling North II and his wife Shirley, departing back to Ireland, got out just in time. Show appears to have prospered in its early Texas dates, these I assume promoted by front ender Jim Judkins. Lately, sans the Judkins touch, biz appears to have slumped and sputtered a bit. An ailing seat wagon is still MIA. On the soggy Navasoa lot, the ring side seats remained empty. Said Steve, "It was weird having to perform to people so far away from us." Why can't I take my eyes off of Kelly Miller? Blame the Ringling in my blood, compelling me to tag and peep along, the voyeur I am. My big question of the moment: Can a show that is virtually the same one as last season deliver? Stay tuned.

Members of the four-person CIRCA troupe

Fastest Show on Earth: From the land down under comes a troupe of four, recently reviewed at the Byham theatre in the land where Ringling under canvas went down under in '56 (Pittsburgh). These hurricane ring wizards execute 46 circus acts in 45 minutes. Wow, what pacing! What brevity! But wait, does that also include a peanut pitch??? They call themselves CIRCA. In total, the group consists of 14 performers who are dispersed into various shows around the world. Go, you Aussies! On the stage is placed a large clock, itself a big feature of the show, for audiences cheer the artists on as their minutes wind down to a precious few. "We are always trying to beat the clock, sometimes it comes down to a whisker," said the company's associate director Ben Kampton. Ringling's late late equestrian director, Fred Bradna, who demanded strict adherence to Swiss clock discipline, must be tick tick ticking with glee in his grave. “Snap is the greatest essential in American circuses,” said the pacemaster. “There must be no waits, no breaks.” Anybody out there listening?

3.19.11

LIMITLESS [2011-AVI]

Release Date : 18 March 2011Genre : Mystery | ThrillerStarcast : Bradley Cooper, Anna Friel and Abbie CornishDownload Gratis Film Limitless
Duration : 1hr 35minsSize : 137mbDownload Part 1 (68.81 MB)Download Part 2 (69.08 MB)
Sinopsis Film LimitlessA copywriter discovers a top-secret drug which bestows him with super human abilities. As his usage begins to change his life, he begins to consider

Spider-tacular Peril Revives Old Circus with a Terrifying New Twist: When Will Danger's Destination Be THE AUDIENCE?

Carpio, another injured Spider-Man actress, will be out of the show for 2-3 weeks. She had replaced Natali Mendoza, who suffered a more serious injury and left the production.

Time to brush off our contemptible Circus Maximus memories and give due, if perverse, respect to those bloody Roman "games" that drew spectators by the hundreds of thousands.

Their spirit of risk-taking seems to have resurfaced, of all places, in a "legit" Broadway house named the Foxwoods Theatre, credit the musical endlessly in previews that just keeps on hurting, Spider-Man: Turn Off the Dark.

Only last week, but not until yesterday made belatedly known, yet another actress, Carpio, got tangled up in the show's precarious cobwebs and ended up in the hospital with minor injuries. Carpio, who had replaced Natali Mendoza, an earlier victim of a more serious fall, will be out of the show for two weeks. The unscripted landings continue apace.

Crowds of uncertain origin -- possibly sharing the same thrill-seeking mania that drew the multitudes to the Roman Coliseum where Christians got fed to the lions -- are flocking to the Foxwoods Theatre in New York, nightly nearly packing the playhouse to witness actors flying out over the audience destined for balcony landings and return flights.

Most of the time, the marionette thespians make it. Sometimes they don't, causing gasps, groans and grief-stricken faces from startled ticket holders, setting off alarms, throwing scenery aside to make room for medics with stretchers, driving headline-writers into fits of melodrama over the latest misfortune to befall a show with a reputation for its reckless technical reach.

Hard to imaging this critically panned "musical" thriving without all of the above. The long lines still forming at the ticket windows, despite the hissing notices, are there, forget about a leaden second act and some worn out rock and roll songs, to see the "circus" in Spider-Man. To even watch -- well, let's not go there.

Once upon a more dangerous season, many of these same customers flocked to our pre-Cirque circuses on the wings of similarly trepidations expectations. Most of them feared the worst, and rarely did the worst every happen. But the ever-present "worst" gave the big top a certain raw urgency that it has grown to doubt and downplay. Terminate or emasculate your "thrill acts," and somewhere, somehow, they will find a way back into another or newer form.

But live action theatre at the Foxwoods introduces a new, even more perilous element into an old-fashioned format: the very real possibility that YOU, not a performer but a patron, might also end up on a stretcher. That is, if you happen to be sitting in the wrong seat when the unthinkable occurs. At a circus, rarely if ever has this eerie option been present. Yes, of course, if a trapeze artist on the dismount bounces out of a net, theoretically he or she could land in the unwelcome lap of a customer. At the Fox woods, that possibility lurks at every performance. And this factor alone makes astonishing the continued indifference of New York city over the dangers inherent in this problem-plagued production. One might ask, is theatre such a big industry in Gotham, and Spider-Man, such a draw, that without the latter, all theatres would suffer?

And while Spider-Man continues to draw the multitudes, most of our circuses, having either learned to downplay the element of risk or immunize themselves totally against it by using safety lifelines (mechanics), are becoming, it might be prudently argued, less exciting, and thus less appealing an option to the average American amusement seeker.

Nouveau circus types dismiss "danger" as the mark of a barbaric art form. They are in essence reinventing the form to liberate it from itself. They have every right to succeed on their own terms -- if they can. But "static trapeze," a new device granting the "aerialist" artistic license to stress choreography over daredevilry, is unlikely to advance the circus as a wide-spread populist draw. It may, on the other hand, reinvent and re-energize ballet.

And in the meantime, thrill acts of all sort will continue to flourish, whatever the form.

My advice to all Spider-Man voyeurs: Unless you desire yourself to be fed to the flying lions, so to speak, in a modern form of accidental victim-hood, get thee to a balcony seat in the Gods far away from this ill-rigged ethereal extravaganza, either that wear a hard hat before reporting to your orchestra seat, be prepared to duck and cover without advance notice, and pray for a safe journey out of the modern-day version of old Rome, while it lasts, on that brave new Great White Way.

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New "Water For Elephants" Trailer, a Strong Storyline Tease, Has Me Hooked, and I'm Predicting How it Ends

A one-stand affair? Robert Pattinson and Reese Witherspoon

Based on my viewing a new trailer for the movie linked my way by Don Covington, I think I've got a hook on the story, and it may have a hook on me. It's this, simply:

Young college guy on the verge of taking an exam, learns a family member (possibly his father) had just died. Without any other kin, he hits the road, unhinged, ends up on a circus, falls for the beautiful wife of the owner, and tries to lure her away from life under the big top, his final plea being that she deserves better.

And I'm predicting the outcome: She does not go. Nobody who's "with it and for it" ever does!!!!!

Only other question, does he stay? I see sadness on the horizon; no he does not.

Download Film OBAMA ANAK MENTENG

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Dated Released : 1 July 2010

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Info : imdb.com/title/tt1686786/

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Download Film MAFIA INSAF

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Dated Released : 28 October 2010

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Info : imdb.com/title/tt1774477/

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Download Film PENGAKUAN SEORANG PELACUR (PSP)

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Dated Released : 19 November 2010

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Dated Released : 11 November 2010

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Dated Released : 22 February 2011

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Broadway, Bloody Broadway: "Spider-Man" Spins Cautionary Cobwebs; Big Egos, Beware ...

Oscar Hammerstein II, standing, and Richard Rodgers, listened to audiences, critics and colleagues in working on new shows headed for Broadway. Hammerstein sat out in the seats and counted the coughs -- one sign of flagging interest.

Takes talent to get there, usually. Mostly. Takes guts and perseverance, the capacity to endure cold-hearted rejections, one after another, sometimes nasty -- until the Big Break, which, for most, will never arrive.

Takes a touch of ruthless indifference to the plight of those against whom you are competing. Those who break through develop an over-night talent for savoring every new flop that comes along, as long as they are not in it.

My brother, Dick, possessed lyric-writing talent, so much so that Victor Young called him once in response to some verse Dick had sent him. Dick was away at the time, I took the call excitedly, passed along the message, but nothing came of it. This may have contributed to Dick's ultimately deciding at an early age that the New York thing was not for him. He sensed darker sides to the Great White Way without ever going there, and withdrew his ambitions, settling for the community theatre scene. Now he just loves watching musicals musicals musicals; Last year, he took in 51 shows!

Laboring across some local stages myself, I've crossed paths with dancers who made it into New York chorus lines, and told me about how socially vicious the atmosphere can be. Hoofer eat hoofer.

Not a problem for the driven: Some will practically die for that elusive Opening Night in a Gotham show. Thousands comb casting offices in vain, line up for demeaning cattle-call auditions. Work day jobs waiting for the Big Break. And when they, who are lucky, land on Big Boards, they suffer more humbling days and nights, fighting for a bigger piece of fame and rejection in another show that may never come. Fighting, if they make it Big, to stay Big.

One-hit wonderland strikes many. And the party never comes their way again. Still, they chase the Big Return, like a spurned lover unable to let go. There was Henry David Hwang, famous for his M. Butterfly, making futile return visits, the most audacious being a virtual sabotage of the fine Rodgers and Hammerstein hit, Flower Drum Song by way of his rewriting it totally away from what it was in the beginning in the spirit of a Broadway "revival" (which flopped out).

And now, yet another prospective member to the club of One-Hit Wonders is Julie Taymor, ex-director of Spider-Man: Turn Out the Dark, who has been credited beyond sense and reason for having practically invented The Lion King, that slick manufactured Disney blockbuster that may live to rival Phantom of the Opera.

Those who defer to Ms. Taymor's great success fail, most of them, to note that she, yes, directed King, but did not, no did not write it. Remember the word writer, anybody? King is built upon a very viable book based upon a very viable movie, the book written not by the director, Ms. Taymor, but by Roger Allers and Irene Mecchi, adapting the screenplay, itself the product of three scripters, one of them Mecchi.

"Book problems," which seem to plague the aerial-centric Spider-Man, are the most common reason shouted high and wide when a new musical is in trouble, and most new musicals are in trouble at some perilous point or another (whether they really are or not), in trouble out of town, as was once the custom, or in previews as is now. Arguably the most critical element in any tuner is the libretto, for without a clear narrative path of engaging characters caught up in empathetic conflicts, audiences have little to grasp. Many musicals have succeeded with ill-distinguished scores; many bearing great scores have failed for the lack of an effective book.

Countless are the tales of a show having been "saved" by feverish late night brainstorming sessions involving writers, composers, directors, producers -- maybe even press agents and mop ladies, all together addressing what seems to be working with the audience as opposed to what is not working. The greatest lights of Broadway, among them Richard Rodgers and Oscar Hammerstein II, all subjected themselves to this humbling rewrite ritual -- they knew that musical theatre is not just a collaborative art form, but, ultimately, a confrontation between product and patron.

When it came to such meetings, or collisions, of the minds at the Foxwoods theatre, seems that Ms. Taymor, Spider-Man's director, regularly did not allow such a circle to tell her what to do. In particular, how to fix embarrassingly inept second-act scripting. A thousand times more amazing considering that she holds absolutely no other book-writing credits attached to any successful Broadway venture. Her only claim to libretto know-how would be the book she co-wrote for Juan Darien, a puppet show of hers which lasted all of 49 nights at the Vivian Beaumont Theatre. Her co-librettist, Glen Berger, has no other Broadway credits, and is virtually never mentioned in coverage of behind-the-scenes turmoil.

From well-placed insider reports, Ms. Taymor even ignored the pleas of cast members urging her to address the mystifying nonsense that followed intermission. The scathing reviews that New York critics have filed did not help any; Ms. Taymor was shown the door last week. A new director and writer are headed for the Foxwoods. To save a show in trouble? Don't count Spider-Man down at the count of 10 yet.

Oscar Hammerstein labored through six consecutive flops in the 1930s, and kept coming back. And then came his Big Return in Oklahoma! in 1943. This gentle giant took out a full-page ad in Variety: "Ive done it before, and I can do it again."

Now nursing a huge hissy fit, Ms. Taymore is said to be demanding a big payout and threatening (would this not be a blessing?) to take her script with her.

According to New York Post critic, Michael Riedel, a revamped libretto now in the works will junk a character created by Taymor and "largely based upon herself," the "egotistical" villainous Arachine. One of that characters most memorable lines is: "I am the only real artist working today."

Ego? On Broadway, never ever just a little.

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L.A.'s Cirque Berzerk Goes Financially Berserk, Into Bankruptcy Big Top ... A Tale Not New at All

The new ambitious troupes put up by the young hungering to "reinvent" circus far more often than not invariably stumble through artistic hubris into premature deathts. Experimentation, a noble aspiration, has a high failure rate. These small upstarts cleverly latch onto corporate funding for a while, flash and dazzle and sputter and fade.

Cirque du Soleil was a great great global exception. At the top it had and has a business minded genius and a true impresario named Guy Laliberte.

The Pickle Family Circus, forging a middle road at first -- until it turned itself into a mantra against too many things circus -- enjoyed a nice little sunny ten or twelve year run, but never making enough money to put up its own little tent. They are history. Others, like Cirque Flora, establish regional success turning out brief annual seasons of months or weeks, squeaking by on the good will of community support.

Here is the story of a very short lived show, Cirque Berzerk, which I've just uncovered, trying and wanting to see them this year. Already, they are, I fear, history. Much of it, I assume of their own doing. Let the story be told though the following bits lifted from an on-line source called CurbedLA:

"A Cirque Berzerk event, Cirque Berzerk Theatrical Productions, LLC, filed for bankruptcy last week, citing debts of about $600,000. Which "event" this is isn't clear, but Cirque Berzerk's two recent major LA runs include a 2009 Cornfield Park summer event and a 2011 January show at Nokia Theater (both shows had extended runs, too). Cirque Bezerk CEO David Berrent didn't return a phone call. "Cirque Berzerk does everything Cirque du Soleil does, but on a shoestring," wrote LA Observed in 2009. If there's less clown competition, better news for Cirque du Soleil, which start rehearsals at the Kodak Theater later this year? [US Bankruptcy Courts/filing on Scribd]"


Of so-called consumer reviews, I found a slew, average rating out of 5 stars: 3.9. Impressive, but let's look at the doubters, for they likely reveal reasons why the show is a goner:

Cirque Berzerk...Not so much.
Nokia Theatre @
- Los Angeles @
, CA @
Posted 02/18/2011
by Christophario
This Fan's Reviews This Fan's Reviews
"I was really excited to see this show at the Nokia. The theatre was great, the set was great, the costumes were great, but that was about it. They had all this potential to put on a great show, but it ended there. The storyline was ridiculous and very slow. At one point there was some weird gay love triangle story going on. I couldn't figure it out. The songs were disappointing. And there wasn't much circus involved. The best part were the hot trampoline guys. Other than that a total snooze. Sorry Cirque Berzerk."

"That's sad. They had a really great show. It was more fun in the tent in 2009. This go around the show didn't change much at all which was great in that the show was great but bad in that it could have been fun to see something new."


"had gone twice before but skipped this year because of the move from LA Historic State Park to Nokia Theater. The tickets at new location were more expensive and the idea of having it at Nokia makes it seem intimate. Didn't feel like a fun, interactive experience, just some event where you're the audience and the show is outside of your reach. Wasn't into it.

Now that I hear they didn't add change much just makes me glad I didn't spend the extra money to see the same show in a less fun setting."

Back to SD:

When this AM I began the search, my brain hosted a thought: If they are so good, why so few dates in L.A.? And why, NOW, none up front? Must mean they are not doing well.

Sometimes, your most obvious thoughts are spot on. Life can be remarkably simple to figure out.

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