Rock on, if that’s the best you can do, PBS. I am tried of tired old rock and rollers wailing away for endless PBS pledge drives. Wasn’t this whole public tv gig supposed to be about education? Oh, that’s right, I need to get smart on the best guitar twangers ... If our publicly funded networks can’t survive without the Beach Boys, maybe it’s time to turn off the lights and let the cable stations pick up what deserves to go on, like old rock and roll groups, if that’s what the public really wants to go on. What I dont want to go on is Digging for the Truth without Josh Bernstein.
Shame on you, History Channel! Josh was one compelling teacher when he hosted Digging, so why did you let him slip away? Whoever took over looked like another clone cable host. I will not watch the show until professor Josh returns ...
Broadway’s fresh dead draw big grateful crowds at going-away tributes in Times Square Theatres ... Admission is free, if you can get in (lines are long) to bid farewell to the likes of Jerry Orbach and Robert Merrill. Class act, NY ... And while we are walking the Great White Way, South Pacific gets ready for it’s April return, with its acclaimed director, Bartlett Sher, telling the NYT that to really succeed, the revival needs to be even better than the original. Without Mary Martin, that’s a tall order and I wish them well, and I have remarkable faith in Sher, for he staged the perfectly rendered Light in the Plaza ... Another reason to jump aboard Damtrak for a May trip back there ...
Back to Josh Bernstein --- Okay, I’m still fuming over his absence from Digging, for he made so interesting the exploration of ancient sites and lost civilizations. Reminds me that once upon a semester at Santa Rosa Junior College, a gifted biology instructor of rare enthusiasm made lab 1A so engaging, I of all people (I hate science and math) earned an A grade, nearly top of the class. Never again. I nearly flunked out of Astronomy. Don’t give me blood and guts, World, give me poetry and circus, ballet and big top and even Idol ...
Starring Simon Cowell, who else but?. It’s really all about him, isn’t it? We wait for that celebrated hated tongue to rattle like a snake. What will HE say. His cohorts on the panel are mere luke warm up acts for Simon Says. Idling away another Idol hour the other night, I haven’t a clue what drives these judges to their oddball judgements. A country and western guy (and I don’t much fancy c&w) struck me as perhaps the most authentic; not so the judges. They gotta keep us on edge, off guard and amazingly surprised. Shame on their professional stupidity.
Music, Even if You Don’t please: An Idea, Cirque du Soleil: Since you are very French and into serious scoring, why not include the strains of your master composers, like Ravel and Debussy? On your fan website, I notice one guy who says he mainly goes to your shows, even if he doesn’t like them, because of the music, so how about giving us the Greats? ... Heck, if you can get Bartok or Stravinsky into your fluffy dull Corteo, I might go back ...
Whatever Happened to Craig Killborn? He hosted a classy late night show, so promising, then he walked away, and even Google tells me little about what Mr. Exit is up to since he gave showbiz the finger. ... You retire at your own peril. My all-time favorite, Jack Paar, left the Tonight Show after only five years, and later tried for a comeback that is rarely mentioned in tv docs or bios (so many sacred cows get sacred protection). That comeback fizzled fast....
Monster Cinema Reigns, and I’ve had my fill for a while of diabolical barbers, viciously anti-human oil men, and strange psychotics who slit throats on a mystic whim down there where Mexico escapes into the US with drugs, hookers, farm hands and circus roustabouts...... Even the young pregnant woman in Juno, a worthy film dramatizing the profound power of motherhood to modern women, is so pretentiously hip and full of herself, I could hardly bear some of her more cynical syntax. Does a 16 year old in this day and age really talk like a jaded feminist in her 30s whom I would imagine finding in a woman’s bar? ...
And whatever happened to the great trapeze hero Miguel Vasquez? End ringing it here, are you just dying for a new tv circus celebrity show in the works? Circus of the Stars turned circus art into drek. So here comes another assault ...I still can’t shake the mediocre image of David Nelson posing as a flyer. Sure, anybody can do it, gracelessly. Yes, as in Idol, anybody can be a very accomplished amateur.
Shame on you, History Channel (or did I already say that). Blame it on the social buzz at L’Amyx, where I’m pounding out this mediocre rant. Or on the dizzy turbulence of Hojicha, the brew I daringlgy selected over my usual, more serene rice tea. Oh, yes, did anybody see the Academy Awards, and is it over yet?. I HATE awards shows that go on over an hour ... maybe they remind me of those endless PBS pledge breaks. Or movies that should wrap up in two rather than 3 hours. Like my friend Liz here in Oakland says, “They make them by the ton these days.” And still, endings elude them. No Country has no ending, it just suddenly ends in the middle of nowhere. Aristotle, who invented dramatic structure, would be outraged ...
And I better end this at the two ton mark. You see, I still have more tea to drink. Killing time can be hazardous to your prose, assuming you have any.....I learned that back in my Ovaltine phase...Blame it on my Mom... No, make that the History Channel...
Kamis, 28 Februari 2008
Selasa, 26 Februari 2008
Mass Performer Walkouts at Cirque du Soleil?
On the Cirque du Soleil fan website, they are talking about an ominous number of performers or musicians who have walked or are planning to — from Kooza, now playing in Northern California to rave notices. (I’ve reviewed it elsewhere on this blog.) Among the names: Jason Berrent (who played the trickster), Crystel Bujold, Theresa Bailey, Chris Bailey, Elodi Dufuo and Alexi Shirin. Some of these names do not even appear in the program I purchased at the S.F. date, which suggests a volatile turnover, does it not? And, if so, what a surprise that is.
“Why is everyone leaving this tour” headlines a posting by Globasf, an usher. “I’ve heard many more plan to be leaving shortly. Quite a shame. Are people not happy?”
Another contributor, Parris, opines, “I can imagine the show being stressful on the artists because the show is still developing. It will be a while before it can run itself. Not saying that is why the artists are leaving but it may be part of the reason.”
Very strange to an outsider, for I had thought these performers were nailed, sworn and canonized to long-term contracts. But Cirque is such a closely guarded organization shrouded in perhaps more mystery than it sends out into its atmospheric tents.
Very strange, indeed. Here is the website. You might find this issue or you might not. It’s a Cirque thing.
http://www.cirquetribune.com/forum/viewtopic.php?t=5508&view=previous&sid=0144b9aa e33040c57008455b14f4c310
“Why is everyone leaving this tour” headlines a posting by Globasf, an usher. “I’ve heard many more plan to be leaving shortly. Quite a shame. Are people not happy?”
Another contributor, Parris, opines, “I can imagine the show being stressful on the artists because the show is still developing. It will be a while before it can run itself. Not saying that is why the artists are leaving but it may be part of the reason.”
Very strange to an outsider, for I had thought these performers were nailed, sworn and canonized to long-term contracts. But Cirque is such a closely guarded organization shrouded in perhaps more mystery than it sends out into its atmospheric tents.
Very strange, indeed. Here is the website. You might find this issue or you might not. It’s a Cirque thing.
http://www.cirquetribune.com/forum/viewtopic.php?t=5508&view=previous&sid=0144b9aa e33040c57008455b14f4c310
Sabtu, 23 Februari 2008
Another Season, Another Chance ..
Circus tents should spring forth in Spring. When early sunshine awakens, so too the ring stars of today and tomorrow and in-between, fresh and rehearsed and ready to take on America ... Kelly-Miller and New Cole, Carson & Barnes and a few others still tour the old fashioned way, spring to fall — although, without the guest roustabouts from south of the border, held up in crippling legislation against the temp work visas they and circuses depend on, the future is in doubt ... Ringling’s trains, pre-Pittsburgh labor strikes (lest we forget), were about this time steaming and whistling up for the long haul to “The Garden.” And a host of dazzling performers from across the ocean were walking through new production numbers out in the Florida sun. John Murray Anderson at the mike, Art Concello somewhere about, John Ringling North slumbering away in his Jomar, or suited up in blue, a gleaming smile of curiosity on his face, to maybe take a look-see at the new acts and parades, especially the costumes. How he loved those Miles White designs... Tourists from sea to shining sea angling for a glimpse of Brunn or Alzana or Berosini, for a taste of the next Greatest Show on Earth ... Artistry from the Old World; Spectacle and innovation from the New.
A touch of Ringling magic has moved to a town called Hugo. Today, if lucky, you might spot John Ringling North II gearing up his staff for the second Kelly-Miller season operated by a real Ringling ... And from an anonymous source comes a prediction that what’s about to depart Hugo would delight the late Cliff Vargas: “All the pieces are there” is a promise that makes me wish I owned my own private jet, so I could swoop down and take in the grand opening on March 15 ... Jim Royal, by the way, who does the Concello thing for North II, before that served a number of seasons as production unit manager for Big Apple. Among the editions he supervised was Picturesque, a show I found quite wonderful (at least 3-1/2 stars wonderful). Jim reflects on the modern era: “It always seemed to me that the themes of the show never overwhelmed the performance. BAC never got too ‘high brow.’ Picturesque had many artistic references that some of our audience members appreciated. For those who didn’t catch them, that didn’t intrude on their enjoyment of the show.” Royal gave the climactic teeterboard Kovgars, who flew fast and last on the bill, the Royal attention they well deserved, heading for the main tent “damn near every show just to catch their act.” Great taste, Jim ...
...The young and the older join forces when spring awakens canvas tents and sends veteran elephants into shrieks of trouping delight. (Okay, I’m trusting John Pugh on that latter claim, for once he told me about his pachyderms trumpeting lyrical over the sight of a lot they hadn’t played on in a while.) We need those young boys and girls with spring-like enthusiasm to guarantee future seasons. And, luckily, they keep getting the bug. He’s only 18-years old and barely out of high school, but contortionist Logan Jacot landed a job on Lewis and Clark, and just close to reporting for spring work, he got detained in a car accident that broke his leg in three places and collapsed a lung. This ambitious young trouper has a great rebounding attitude, already facing rehab and hoping to rejoin the show in a couple of months. Since I had mentioned Logan in a recent post, he happened upon it and was cheered by the attention: “It raised my spirits greatly and made me forget all my current fears of not being able to perform again.” I’m sure you’ll be back, kid, so take your time — you have your whole life ahead of you —and get all the contact you can with those Europeans. Bask in their advice and aura, for they can teach you things that you may never learn from a school. Tuition free, too. Heck, you are already a trouper, having performed, I see, in your 17th year on the Zoppe Family Circus. ...
And Johnny Pugh continues to operate his New Cole despite the same old floating rumors that’s he close to selling. He’s been close for, what, 20 years? And Barbara Byrd, we presume, is fearlessly prepping for her trek into the heart of hostility and pretension that awaits her in the city of San Francisco ... Courage is a fact of life along the sawdust trail. Ah yes, the challenge of canvas separates the showman from the dreamer. And the beat of the big top goes on — even here at a Starbucks, where I am typing out this post and listening to the great Sinatra, just having launched into that classic of classics, “I’ve Got You Under My Skin.” So does the big top, Frank. Promise, this is real journalism in real time. At Starbucks? Maybe they knew I was coming...
A touch of Ringling magic has moved to a town called Hugo. Today, if lucky, you might spot John Ringling North II gearing up his staff for the second Kelly-Miller season operated by a real Ringling ... And from an anonymous source comes a prediction that what’s about to depart Hugo would delight the late Cliff Vargas: “All the pieces are there” is a promise that makes me wish I owned my own private jet, so I could swoop down and take in the grand opening on March 15 ... Jim Royal, by the way, who does the Concello thing for North II, before that served a number of seasons as production unit manager for Big Apple. Among the editions he supervised was Picturesque, a show I found quite wonderful (at least 3-1/2 stars wonderful). Jim reflects on the modern era: “It always seemed to me that the themes of the show never overwhelmed the performance. BAC never got too ‘high brow.’ Picturesque had many artistic references that some of our audience members appreciated. For those who didn’t catch them, that didn’t intrude on their enjoyment of the show.” Royal gave the climactic teeterboard Kovgars, who flew fast and last on the bill, the Royal attention they well deserved, heading for the main tent “damn near every show just to catch their act.” Great taste, Jim ...
...The young and the older join forces when spring awakens canvas tents and sends veteran elephants into shrieks of trouping delight. (Okay, I’m trusting John Pugh on that latter claim, for once he told me about his pachyderms trumpeting lyrical over the sight of a lot they hadn’t played on in a while.) We need those young boys and girls with spring-like enthusiasm to guarantee future seasons. And, luckily, they keep getting the bug. He’s only 18-years old and barely out of high school, but contortionist Logan Jacot landed a job on Lewis and Clark, and just close to reporting for spring work, he got detained in a car accident that broke his leg in three places and collapsed a lung. This ambitious young trouper has a great rebounding attitude, already facing rehab and hoping to rejoin the show in a couple of months. Since I had mentioned Logan in a recent post, he happened upon it and was cheered by the attention: “It raised my spirits greatly and made me forget all my current fears of not being able to perform again.” I’m sure you’ll be back, kid, so take your time — you have your whole life ahead of you —and get all the contact you can with those Europeans. Bask in their advice and aura, for they can teach you things that you may never learn from a school. Tuition free, too. Heck, you are already a trouper, having performed, I see, in your 17th year on the Zoppe Family Circus. ...And Johnny Pugh continues to operate his New Cole despite the same old floating rumors that’s he close to selling. He’s been close for, what, 20 years? And Barbara Byrd, we presume, is fearlessly prepping for her trek into the heart of hostility and pretension that awaits her in the city of San Francisco ... Courage is a fact of life along the sawdust trail. Ah yes, the challenge of canvas separates the showman from the dreamer. And the beat of the big top goes on — even here at a Starbucks, where I am typing out this post and listening to the great Sinatra, just having launched into that classic of classics, “I’ve Got You Under My Skin.” So does the big top, Frank. Promise, this is real journalism in real time. At Starbucks? Maybe they knew I was coming...
[Photos: Above, director Richard Barstow, left, with Michael Burke and John Ringling North during Sarasota rehearsals, 1956--costumes designed that season by French artist Vertes; Logan Jacot in The Time Reporter, photo by Jim Cummings]
Senin, 18 Februari 2008
Big Top Bits: Cirque Turmoil to Byrd’s Big Journey West ...
We’re off on a Cirque thing, courtesy of 18-year-old Logan Jacot, new age contortionist from Ohio with a punk attitude who calls Gunther Gebel Williams his hero and who posts a boxed message that reads “Peta Kills Animals.” Logan just happened to have picked up a copy of my book, Fall of the Big Top, and liked it enough (thank you, Logan) to talk — no, make that chat it up to his cohorts on a Cirque du Soleil fan website. By accident almost, I discovered Logan’s posting, and it feels neat, being able to reach a younger generation born even after Cirque was invented .... On the same website, I also discovered swirling rumors and reports about a number of Kooza performers walking out, reasons assumed to range from displeasure to disgust with the treatment of pushy superiors ...
Who’s to Blame for Cirque Discontent? I’ve always felt that the way a show treats its staff emanates from the very top. So we focus our meditation on impresario Guy Laliberte.... NEVER in the modest history of this here blog has a posting generated so much comment. Heck, four comments is big for little yours truly. Among the reactions, performers breaking contracts is nothing new — “Cirque has never been accused of overpaying anybody.” ... A more sympathetic visitor says that the artists “feel overworked, underpaid, disrespected and underappreciated. How can performers be expected to give their all under such circumstances?” Then comes this rough tough reality check from Ross Hartzell, raising indelicately the alternatives the self-departing might face: “Just wait till they find themselves outdoors in a rodeo arena with mud blowing sideways.” Ouch...
Makes Me Wonder about the Ways of Cirque du Soleil. For example, might they have, early in the run of a Corteo, an opus that left me unimpresso, beefed up the program with better acts? And what might they have been trying to do to Kooza that might have driven the cast to make final exits? Let’s face it, kids, Kooza’s first half was just good rather than great, which is what the show becomes once the power performers arrive about midway through the program — well, at the one I saw ...
About Impresarios: What separates them from all the others? My best guess is a dogged deference to art over commerce. The reason I place Cliff Vargas in the honored circle is that he, in his fleeting heyday years (the mid 80s), would have likely hawked his whole life for a passion to produce that he barely understood. Yes, he needed to go to refinement school, and after reading a piece about him and his “Vargasms” by Lane Talburt in Bandwagon, I am convinced that Mr. V., had he lived much longer, would have sooner than later crashed under a collapsing tent or runaway semi — if not into the Bermuda triangle. Why do most of us love the man? I think because he truly wanted to produce great circus.
Kenneth Feld drifted safely in the opposite direction: He tried his hand at “art” with his more than promising Kaleidoscape, then strangely walked away. Too messy a proposition. A victim, I suspect, of his own artistic cowardice. Back to demographics and marketing surveys. Back to the Disney mode, variations unlimited, which evidently makes big bucks for the fabulously successful Felds ... Speaking of which, a scare-mentioned pair who deserve more attention in history books are Louis Stern and Irving J. Polack, who in the mid ‘30s, made a pledge to turn out quality shows, and were soon the charm of the Shriners. From Ringling to Polack went so many top stars, which spoiled me rotten ...I’m still recovering from post ecstatic center-ring syndrome, having seen Francis Brunn and others of his sainted ilk in my extreme youth ... Logan, now that gave me attitude.
Earl Chapin May Gets No Respect From Bandwagon: Okay, maybe he’s not the greatest author of circus books ever, but I always thought he was a lively and very reliable source. Now Bandwagon’s managing editor, Fred D. Pfennig III has called May’s Circus From Rome to Ringling “surely the most overrated circus book ever written.” No reasons given. Why, Mr. P? Have you details, please? ... And while you are out it, how about your take on a number of my favorite others, among them, Circus Kings, This Way to The Big Show, and Bradna’s Big Top? ... And just for the populist record, I too regard I Love You Honey as the best tanbark tome I ever read ...
Another curious Bandwagon position comes from Al Stencell, recounting numerous circuses seen in Europe and giving prime credit to Bernard Paul for being the true inspiration behind Cirque du Soleil... At least Stencell states his reasons, and surely his proposition merits a merry monograph or two from somebody out there... I defer, in the meantime, to the Russians as the principal source of inspiration for the modern day phenom headquartered up there in Montreal, Florida. Excuse me, I mean Sarasota, Quebec ... In passing, Stencil mentions having witnessed clown Charlie Rivel’s last public appearance, but, drats, does not say a word about what he thought of the act that John Ringling North had tried for years in vain to book ...
If I never see another Hula Hoop, Thank you, Lord! They are talking up the hula hoop’s anniversary, and I am reminded of all the hoop “acts” that I have sat through, not a happy patron ... Only once was I magnificently impressed, thanks to Jim Judkins. On his Circus Chimera a few years back, Jim — for a moment, playing the role of impresario — hired two captivating Russians, four-star illusionist, Olga Timchenko, and her son, Dimitri, who grabbed hold of a dozen or so hula hoops and proceeded to work them as a true juggler. Now that was a turn to remember ...
Big Top Bits: in a Covington Flash: Circus World, which seems to be waking up from a long bad dream, might revive the grand parade in 2009, Hats off to new and improved exec director Stephen Freese, who has the complex on the move once again. The Ringling-Barnum Archives having been opened to the public, at last, should bring Freese Museum Director of the Year Award. And for best supporting player, I nominate self-effacing library archivist Erin Foley ... Ringling’s new edition about to hit the trail is titled “over the top” I’m hoping so. But please, without those you know whats ... Why not marbles --- or skateboards --- or perhaps a ring of anal retentive electronic junkies juggling ipods and iPhones whilst whizzing about on their iScooters?
Into a PC war zone for Barbara Byrd’s Fearless Big Top? Looks like the SF. Zoo fiasco might linger on, with more animal activists claiming terrible conditions there, even after the wall was raised sky high ... And what might they do when Carson & Barnes throws up its tents onto the Cow Palace parking lot next September? Ms. Byrd, we’re in search of the next American sawdust impresario(ess). Your resume, perhaps? I must warn you, however, not without at least a few live musicians will you qualify — even if they play iDisco.
Who’s to Blame for Cirque Discontent? I’ve always felt that the way a show treats its staff emanates from the very top. So we focus our meditation on impresario Guy Laliberte.... NEVER in the modest history of this here blog has a posting generated so much comment. Heck, four comments is big for little yours truly. Among the reactions, performers breaking contracts is nothing new — “Cirque has never been accused of overpaying anybody.” ... A more sympathetic visitor says that the artists “feel overworked, underpaid, disrespected and underappreciated. How can performers be expected to give their all under such circumstances?” Then comes this rough tough reality check from Ross Hartzell, raising indelicately the alternatives the self-departing might face: “Just wait till they find themselves outdoors in a rodeo arena with mud blowing sideways.” Ouch...
Makes Me Wonder about the Ways of Cirque du Soleil. For example, might they have, early in the run of a Corteo, an opus that left me unimpresso, beefed up the program with better acts? And what might they have been trying to do to Kooza that might have driven the cast to make final exits? Let’s face it, kids, Kooza’s first half was just good rather than great, which is what the show becomes once the power performers arrive about midway through the program — well, at the one I saw ...
About Impresarios: What separates them from all the others? My best guess is a dogged deference to art over commerce. The reason I place Cliff Vargas in the honored circle is that he, in his fleeting heyday years (the mid 80s), would have likely hawked his whole life for a passion to produce that he barely understood. Yes, he needed to go to refinement school, and after reading a piece about him and his “Vargasms” by Lane Talburt in Bandwagon, I am convinced that Mr. V., had he lived much longer, would have sooner than later crashed under a collapsing tent or runaway semi — if not into the Bermuda triangle. Why do most of us love the man? I think because he truly wanted to produce great circus.
Kenneth Feld drifted safely in the opposite direction: He tried his hand at “art” with his more than promising Kaleidoscape, then strangely walked away. Too messy a proposition. A victim, I suspect, of his own artistic cowardice. Back to demographics and marketing surveys. Back to the Disney mode, variations unlimited, which evidently makes big bucks for the fabulously successful Felds ... Speaking of which, a scare-mentioned pair who deserve more attention in history books are Louis Stern and Irving J. Polack, who in the mid ‘30s, made a pledge to turn out quality shows, and were soon the charm of the Shriners. From Ringling to Polack went so many top stars, which spoiled me rotten ...I’m still recovering from post ecstatic center-ring syndrome, having seen Francis Brunn and others of his sainted ilk in my extreme youth ... Logan, now that gave me attitude.
Earl Chapin May Gets No Respect From Bandwagon: Okay, maybe he’s not the greatest author of circus books ever, but I always thought he was a lively and very reliable source. Now Bandwagon’s managing editor, Fred D. Pfennig III has called May’s Circus From Rome to Ringling “surely the most overrated circus book ever written.” No reasons given. Why, Mr. P? Have you details, please? ... And while you are out it, how about your take on a number of my favorite others, among them, Circus Kings, This Way to The Big Show, and Bradna’s Big Top? ... And just for the populist record, I too regard I Love You Honey as the best tanbark tome I ever read ...
Another curious Bandwagon position comes from Al Stencell, recounting numerous circuses seen in Europe and giving prime credit to Bernard Paul for being the true inspiration behind Cirque du Soleil... At least Stencell states his reasons, and surely his proposition merits a merry monograph or two from somebody out there... I defer, in the meantime, to the Russians as the principal source of inspiration for the modern day phenom headquartered up there in Montreal, Florida. Excuse me, I mean Sarasota, Quebec ... In passing, Stencil mentions having witnessed clown Charlie Rivel’s last public appearance, but, drats, does not say a word about what he thought of the act that John Ringling North had tried for years in vain to book ...
If I never see another Hula Hoop, Thank you, Lord! They are talking up the hula hoop’s anniversary, and I am reminded of all the hoop “acts” that I have sat through, not a happy patron ... Only once was I magnificently impressed, thanks to Jim Judkins. On his Circus Chimera a few years back, Jim — for a moment, playing the role of impresario — hired two captivating Russians, four-star illusionist, Olga Timchenko, and her son, Dimitri, who grabbed hold of a dozen or so hula hoops and proceeded to work them as a true juggler. Now that was a turn to remember ...
Big Top Bits: in a Covington Flash: Circus World, which seems to be waking up from a long bad dream, might revive the grand parade in 2009, Hats off to new and improved exec director Stephen Freese, who has the complex on the move once again. The Ringling-Barnum Archives having been opened to the public, at last, should bring Freese Museum Director of the Year Award. And for best supporting player, I nominate self-effacing library archivist Erin Foley ... Ringling’s new edition about to hit the trail is titled “over the top” I’m hoping so. But please, without those you know whats ... Why not marbles --- or skateboards --- or perhaps a ring of anal retentive electronic junkies juggling ipods and iPhones whilst whizzing about on their iScooters?
Into a PC war zone for Barbara Byrd’s Fearless Big Top? Looks like the SF. Zoo fiasco might linger on, with more animal activists claiming terrible conditions there, even after the wall was raised sky high ... And what might they do when Carson & Barnes throws up its tents onto the Cow Palace parking lot next September? Ms. Byrd, we’re in search of the next American sawdust impresario(ess). Your resume, perhaps? I must warn you, however, not without at least a few live musicians will you qualify — even if they play iDisco.
Rabu, 13 Februari 2008
MIDWAY FLASH ... MIDWAY FLASH ... CIRCUS WORLD MUSEUM'S RINGLING-BARNUM ARCHIVES ARE OPEN AT LAST
More later. Immediate cheers to Freese and Foley for moving the necessary paperwork with the Feld organization to open this treasure trove of Ringling documentation to the public!
All researchers and interested parties should be elated.
Once again, who did this? Executive Director Stephen Freese and archivist Erin Foley.
All researchers and interested parties should be elated.
Once again, who did this? Executive Director Stephen Freese and archivist Erin Foley.
Minggu, 10 Februari 2008
Ferras' HOLLYWOOD'S NOT AMERICA Lyrics and Video
Listen, Watch and Enjoy as American Idol Season 7 unfolds this year's Farewell song "Hollywood is Not America" by new artist Ferras.
Hollywood’s Not America
(Ferras)
Born Helena Jane with a restless soul
She moved west to California
Became a centerfold.
But once you changed your name
Where the pieces fall
Now she hardly recognize herself at all.
And there's never any rain, and you want it
A hollow little game, and you want it
Looking for a thrill but you’ve done it all.
So long, put your blue jeans back on girl
Go home, remember Hollywood’s not America
So long, put your blue jeans back on girl
Go home, remember Hollywood’s not America
Oh Yeah.
And everybody here go somewhere else
If you can make a million dollars
You might lose yourself
And you can take the heat
Where your heart grow cold
They say acting’s just pretending
But even that get sold.
And there's never any rain, and you want it
A hollow little game, and you want it
Looking for a thrill but you’ve done it all
So long, put your blue jeans back on girl
Go home, remember Hollywood’s not America
So long, put your blue jeans back on girl
Go home, remember Hollywood’s not America
And I know, what you're doin'
I know that you, you can be
Anything you want to be.
So long, put your blue jeans back on girl
Go home, remember Hollywood’s not America
So long, put your blue jeans back on girl
Go home, remember Hollywood’s not America
Hollywood’s not America
It’s not America.
Hollywood’s Not America
(Ferras)
Born Helena Jane with a restless soul
She moved west to California
Became a centerfold.
But once you changed your name
Where the pieces fall
Now she hardly recognize herself at all.
And there's never any rain, and you want it
A hollow little game, and you want it
Looking for a thrill but you’ve done it all.
So long, put your blue jeans back on girl
Go home, remember Hollywood’s not America
So long, put your blue jeans back on girl
Go home, remember Hollywood’s not America
Oh Yeah.
And everybody here go somewhere else
If you can make a million dollars
You might lose yourself
And you can take the heat
Where your heart grow cold
They say acting’s just pretending
But even that get sold.
And there's never any rain, and you want it
A hollow little game, and you want it
Looking for a thrill but you’ve done it all
So long, put your blue jeans back on girl
Go home, remember Hollywood’s not America
So long, put your blue jeans back on girl
Go home, remember Hollywood’s not America
And I know, what you're doin'
I know that you, you can be
Anything you want to be.
So long, put your blue jeans back on girl
Go home, remember Hollywood’s not America
So long, put your blue jeans back on girl
Go home, remember Hollywood’s not America
Hollywood’s not America
It’s not America.
Back to Carnie Basics for Struggling Disney Park
As many know, Disney’s on-the-cheap Calif. Adventure, meant to duplicate the patronage of its next door neighbor, Disneyland, earned a rating of Fiasco+ when it opened in 2001, sometimes looking more like a “ghost town,” as reported in today’s New York Times by Brooks Barnes. How ghostly? Average annual visitors: 6 million, compared to 15 million for the sainted giant next door.
Now they are again trying to reboot the place into a turnstile-spinning success, sinking $1.1 billion over five years of upgrades. They’ve got a new ride about to premiere called Toy Story Mania. At its inception, Disney planners and thinkers took an open-minded walk around the midway at the L.A. County fair and decided to build on fundamental fun — like the dart balloon toss. Beyond that, of course, Pixar and a cast of computer geniuses have been engaged to develop a blockbuster attraction.
Disney fans are all abuzz. Maybe this time. Who was it who said, “ah, the fundamentals.” Comedian Don Rickles provides the voice for Mr. Potato’s total vocabulary of 750 words, so that he will “talk” to various patrons. Sounds like a blast.
To read all about it, grab a copy of the Times. Superb in-depth coverage of how this ride was created, step by step ... When the market speaks, super showman respond.
[New York Times photo, above, by J. Emilio Flores]
Sabtu, 09 Februari 2008
Philippine TV's Highest Rating Program of All Time
Based on the overnight rating tabulation of AGB Nielsen Philippines in Mega Manila as of February 2008, an all time television programs who victoriously reached a 50+ ratings are a majority of produced and locally distributed shows of ABS-CBN Channel 2 with 18 entries, GMA 7 has 5 produced tv programs, RPN 9 has 3 and ABC 5 has 1 entry.
Take note that the ratings are from a single highest recorded episode of the show (in the case of the tv series) and it’s NOT the average over-all ratings for the whole season.
1. The Battle: Pacquiao vs. Morales (2006, ABS-CBN)(83.5%)
2. Rosalinda (1999, ABS-CBN) (69.8%)
3. Meteor Garden (2003, ABS-CBN) (63.8%)
4. Esperanza (1997, ABS-CBN) (63.5%)
5. Ms. Universe (1994, ABS-CBN) (62.5%)
6. Pangako Sa ‘Yo (2002, ABS-CBN)(62.1%)
7. Marimar (1994, RPN9) (61.7%)
8. Maria Mercedes (1996, ABS-CBN) (59.7%)
9. Ms. Universe (1999, RPN9) (58.4%)
10. Bubble Gang (1997, GMA) (57.6%)
11. Maalala mo kaya (1991, ABS-CBN) (57.3%)
12. Balitang K (1998, ABS-CBN) (56.6%)
13. Wansapanatym (1997, ABS-CBN) (56.4%)
14. TV Patrol (1996, ABS-CBN) (56%)
15. I-Witness (1999, GMA) (55.3%)
16. Magandang Gabi…Bayan (2000, ABS-CBN) (55%)
17. Darna (2005, GMA) (54.3%)
18. Mula sa Puso (1994, ABS-CBN) (53.7%)
19. Pacquiao vs. Barrera (2004, RPN9) (52.9%)
20. 2005 SEA Games (2005, ABC-5) (52.6%)
21. Basta’t Kasama kita (2003, ABS-CBN) (52.5%)
22. Star Circle Quest (2004, ABS-CBN) (52.3%)
23. F.L.A.M.E.S. (1996, ABS-CBN) (51.9%)
24. Encantadia (2005, GMA) (51.7%)
25. Marina (2004, ABS-CBN)(50.8%)
26. Pinoy Big Brother (2005, ABS-CBN) (50.4%)
27. Will To Win II: Pacquiao vs. Barrera (2007, GMA-7) (50%)
Data Source: Starmometer
Sila SARAH at RAYVER na Nga Ba?
Wala naman palang katotohanan yung tsismis kina Sarah Geronimo at Rayver Cruz. Kay Sarah mismo nanggaling ito. Wala raw kasing dahilan para sila i-link, never pa silang lumabas. Pero, natatandaan niya na minsan ay may nagtanong sa kanya kung sino ang crush niya, wala siyang binanggit na pangalan but when the name of Rayver was mentioned ay napangiti siya. Yun na!
Sarah is topbilling together with Erik Santos, Rachelle Ann Go and Christian Bautista, Ol 4 Luv, isang Valentine show na magaganap sa Araneta Coliseum sa February 13.
Sa apat, si Sarah pa lamang ang walang karanasan sa pag-ibig. Sa edad na 19, kailangan pa niyang ipagpaalam sa kanyang mga magulang ang sinumang lalaking gusto siyang maka-date. Pagdating niya ng 20 yrs. old, saka pa lang siya puwedeng lumabas nang hindi na kailangan pang magpaalam.
Source: Veronica Samio, PSN
VICTORIA BECKHAM Seated as Project Runway Judge
Posh Spice Victoria Beckham (in Donna Karan) kicks back at the W Lounge during Mercedes Benz Fashion Week held at NYC’s Bryant Park on Friday.It’s perfect timing for Victoria as she just finished up Spice Girl concerts at Nassau Coliseum in NY’s Uniondale the last two days. Now she’s back at Fashion Week… to judge!
Victoria is taking on the role of Guest Judge for Project Runwa
y episode 11, giving her opinion on the final contestants’ fashion lines being shown during Fashion Week. Posh sat front-row, in between the regular judges, supermodel host Heidi Klum and designer Michael Kors. Elle fashion director Nina Garcia sat next to Kors.
y episode 11, giving her opinion on the final contestants’ fashion lines being shown during Fashion Week. Posh sat front-row, in between the regular judges, supermodel host Heidi Klum and designer Michael Kors. Elle fashion director Nina Garcia sat next to Kors.Designer Ricky was given the boot during this past week’s episode with five designers remaining: Christian, Chris, Jillian, Rami and Sweet P.
Photos and Article Source: justjared.com
STAR CINEMA Reveals 2008 Upcoming Project
ABS-CBN announces the list of industry's biggest stars who will grace the silver screen via Star Cinema. Among those in the roster of stars aligned with the top film-making company are Gloria Romero, Maricel Soriano, Aga Muhlach, Piolo Pascual, John Lloyd Cruz, Judy Ann Santos, Claudine Barretto, Angelica Panganiban, Sam Milby, Toni Gonzaga, Bea Alonzo, Cesar Montano, Vhong Navarro, Vilma Santos, Angel Locsin, Shaina Magdayao, Anne Curtis and many many more.
One very confirmed project is the Piolo Pascual-Angel Locsin starrer. They already announced it in the presscon to promote Lobo, which incidentally is doing very well in the ratings.
Another exciting thing to watch out for this year are the comeback movies of the biggest stars such as Dolphy, Susan Roces, Vilma Santos and the just announced comedy tandem of Ai-Ai delas Alas and former President Joseph "Erap" Estrada.
Source: Showbuzzer
TONI GONZAGA: 'We were pressured'
Toni Gonzaga confessed that one of the reasons why her romance with Sam Milby was short-lived was because of pressure. The versatile host/comedienne confirmed that she and Sam's previous relationship was on its way to a "real relationship" but was cut short because of complications that surrounded them. "We were busy," revealed the popular host. During those times, their respective careers were both flourishing and held so much promise; Toni on her hosting stints and Sam fresh from his Pinoy Big Brother fame. It can be recalled that Toni hosted Pinoy Big Brother while Sam was a PBB housemate. "Nung nasa Bahay ni Kuya siya, hindi ko pa talaga siya crush nun, pero paglabas niya ng bahay, sabi ko 'Ay ang guwapo pala niya sa personal,'"explained Toni. Sam returned this admiration for he instantly developed a big crush on the si
nger. Then their friendship began. Everybody felt that they looked good together. Their chemistry was undeniable. Their first movie team-up, "Your are the One," was a certified blockbuster hit. Yet their individual careers had to come first. They both excelled in what they were doing. But there price to pay, and for them it meant hardly having time for each other. "There was a time na di na kami nagkikita," she added. Looking back, it is safe to assume that their onscreen tandem is more successful than their private romance.Toni added that she also got scared if her parents found out about her budding "relationship" with Sam. Sam confessed that it was Toni who initiated that they stop whatever good relationship they were having, at least romantically. "I think it worked out for the best. We are still good friends. We still have a great friendship in and out," shared Toni. Sam and Toni are now starring on their third movie together via "My Big Love," which will be showing on theaters on February 27. "My Big Love" is produced by Star Cinema and promises to bring big fun and kilig moments to viewers.
Source: abs-cbn.com
Tea Trumps Circus at L'Amyx ...
Showbiz David from out of the past
Join me for a high-tech laugh or two here at L’Amyx Tea Bar on Piedmont Avenue in Oakland. What a trendy night. Ring my Dell! I’m feeling cooler than cool, pecking out this post on my very first laptop. Or have I again arrived just when the latest party is letting out? At the moment mine is the only laptop in the room!... Who knows, as of tonight laptops may be a thing of the past, and all because of me ... Has anybody, by the way, heard of something called a cellphone? Think I should check that one out too ..
Our servers tonight are Will and Boyi, two young guys from China with a certain natural flair for sharing favored tea enthusiasms. Will, who hails from Guangxi, champions an ominous jar of thick black leaves called Tribute Pu-Er, something that looks like it should be served out of an ash tray or wrapped in a cigar. He has tried before to sell me on his pet brew. So far I have resisted, preferring the serene contemplative sanity of Dragonwell or Japanese Rice tea to a late-night emergency room visit ...
Boyi likes Dragonwell, too, and he especially likes Tranquility Mao Feng, which has a nice lingering lilt to it. Says Boyi, raised somewhere in the Chinese countryside, “No matter how long you steep it, it’s still not bitter.”
Ah, still not bitter. That’s too easy a road for Will, who took on Tribute Pu-Er like an athlete scaling a pregnant volcano. “I don’t like it at first.” he admits, laughing over his masochistic attraction to the stuff. “Too earthy.” But Will took the challenge like a man. “Now I like it.” The ashen looking compound rewards courage with residual pleasure. “After feeling it in your mouth, feels an hour later, your mouth still feels sweet”
In fact, Pu-Er is so strong, it has a way of moving permanently into a pot and being the scent that keeps on scenting: After a time, says Will, “You don’t need to put tea leaf in pot anymore.”
All the while, I am wondering, have these guys seen any circuses in China? When I ask Will, he gives off a blank stare. "Circus, Will, you know, ah — circus?" Blank stare bordering on laughter. I try describing circus acts. I motion with my hands. Will thinks. “Not really. I see them on TV.” I remind Will that China is famous for its acrobats. “You never saw any acrobats in China?” He thinks a little more, and I wonder if that ashen tea he drinks has rebooted his memory. “Some small circus,” he answers, “only few people. They like come from small village, three or four people ... riding the one-wheel bike.” He finds it funny.
So much for a Chinese big top audience base. Strange that we know more about them over here than they do about themselves over there. Clearly, Will and Boyi both missed being turned against their will into hoop divers, so here they are in America serving hot water over imported tea leaves to people like me ...
About to leave the place after first-of-May laptop frustrations -- getting adjusted to a new keyboard and to a new spell checker that has already collapsed under the weight of my ignorance -- ah, as the song might have said, "I’ll spell my way by myself." Looking around — horror of horrors — I am still the ONLY one with a portable PC. Now, the others are reading books, pouring over notes, talking to each other face to face ... What next, checkers? Once again, I am trailing a party that closed hours ago. Just once, I vow to get the first next whatever new gizmo, just once to be first in line to the next Steve Jobs premiere ... In the meantime, let’s see, should I take a crack at Will’s favorite, or settle for the lingering sweetness of Tranquility Mao Feng? Or practice shouting out loud in public the most intimate details of my life and prepare to enter the cellphony Olympics?... Nobody wants to ring my Dell...
[originally posted 2/9/08]
Join me for a high-tech laugh or two here at L’Amyx Tea Bar on Piedmont Avenue in Oakland. What a trendy night. Ring my Dell! I’m feeling cooler than cool, pecking out this post on my very first laptop. Or have I again arrived just when the latest party is letting out? At the moment mine is the only laptop in the room!... Who knows, as of tonight laptops may be a thing of the past, and all because of me ... Has anybody, by the way, heard of something called a cellphone? Think I should check that one out too ..Our servers tonight are Will and Boyi, two young guys from China with a certain natural flair for sharing favored tea enthusiasms. Will, who hails from Guangxi, champions an ominous jar of thick black leaves called Tribute Pu-Er, something that looks like it should be served out of an ash tray or wrapped in a cigar. He has tried before to sell me on his pet brew. So far I have resisted, preferring the serene contemplative sanity of Dragonwell or Japanese Rice tea to a late-night emergency room visit ...
Boyi likes Dragonwell, too, and he especially likes Tranquility Mao Feng, which has a nice lingering lilt to it. Says Boyi, raised somewhere in the Chinese countryside, “No matter how long you steep it, it’s still not bitter.”
Ah, still not bitter. That’s too easy a road for Will, who took on Tribute Pu-Er like an athlete scaling a pregnant volcano. “I don’t like it at first.” he admits, laughing over his masochistic attraction to the stuff. “Too earthy.” But Will took the challenge like a man. “Now I like it.” The ashen looking compound rewards courage with residual pleasure. “After feeling it in your mouth, feels an hour later, your mouth still feels sweet”
In fact, Pu-Er is so strong, it has a way of moving permanently into a pot and being the scent that keeps on scenting: After a time, says Will, “You don’t need to put tea leaf in pot anymore.”
All the while, I am wondering, have these guys seen any circuses in China? When I ask Will, he gives off a blank stare. "Circus, Will, you know, ah — circus?" Blank stare bordering on laughter. I try describing circus acts. I motion with my hands. Will thinks. “Not really. I see them on TV.” I remind Will that China is famous for its acrobats. “You never saw any acrobats in China?” He thinks a little more, and I wonder if that ashen tea he drinks has rebooted his memory. “Some small circus,” he answers, “only few people. They like come from small village, three or four people ... riding the one-wheel bike.” He finds it funny.
So much for a Chinese big top audience base. Strange that we know more about them over here than they do about themselves over there. Clearly, Will and Boyi both missed being turned against their will into hoop divers, so here they are in America serving hot water over imported tea leaves to people like me ...
About to leave the place after first-of-May laptop frustrations -- getting adjusted to a new keyboard and to a new spell checker that has already collapsed under the weight of my ignorance -- ah, as the song might have said, "I’ll spell my way by myself." Looking around — horror of horrors — I am still the ONLY one with a portable PC. Now, the others are reading books, pouring over notes, talking to each other face to face ... What next, checkers? Once again, I am trailing a party that closed hours ago. Just once, I vow to get the first next whatever new gizmo, just once to be first in line to the next Steve Jobs premiere ... In the meantime, let’s see, should I take a crack at Will’s favorite, or settle for the lingering sweetness of Tranquility Mao Feng? Or practice shouting out loud in public the most intimate details of my life and prepare to enter the cellphony Olympics?... Nobody wants to ring my Dell...
[originally posted 2/9/08]
Jumat, 08 Februari 2008
Memo to the Rodgers & Hammerstein Organization: How to Make South Pacific Live Again
Dear Messsrs and Messrettes Mary Rodgers, Ted Chapin,Estate Trustees, et all.
Wanting as much as any fan of the great R&H to see your upcoming revival of South Pacific succeed brilliantly, I have pondered how to make it work. While walking around Lake Merrit one morning here in Oakland, where I rent a one bedroom, I asked myself: what is the key to revival success for this soaring gem from 1949?
The answer came to me in a word: CONTEXT. You must do everything you can to take the theatregoer back to that period in American history. Here is how:
First of all, sorry to say, you you have booked your bet into the wrong house. Lincoln Center Theatre is way too modern a space. I urge you to break the lease, whatever it costs, and transfer to the quaint old Lyceum. Such a musty place, so wonderfully full of yesteryear's Broadway ghosts. Just stepping inside the place, you can almost imagine Richard Rodgers and Oscar Hammerstein lurking somewhere about.
Secondly, decorate, no, DRENCH the theatre in the imagery of the 1940s. Big band sounds upon entering. Photos of movie stars and theatre icons. Ushers dressed in the attire of the times. Purpose being to transport us back. The more we can be made to feel the era in which this melodic masterpiece was created, the better the chances are that we will connect emotionally to its central characters and themes. We've "got to be taught," yes -- all over again.
Third: Your production needs to honor the period, period. No Henry David Hwang deconstructions. No modernizing the subtext or transgenderizing the cast.
Now to the most critical challenge: Nellie Forbush. Not another sugar-dispensing Julie Andrews clone. Introduce your director to sound recordings and film footage of the late Mary Martin. Her soul was carved out of both sugar and spice. Give us a real female hick with downhome authenticity. This is the most daunting task you face.
End of Memo. Break a leg, big time...
Wanting as much as any fan of the great R&H to see your upcoming revival of South Pacific succeed brilliantly, I have pondered how to make it work. While walking around Lake Merrit one morning here in Oakland, where I rent a one bedroom, I asked myself: what is the key to revival success for this soaring gem from 1949?
The answer came to me in a word: CONTEXT. You must do everything you can to take the theatregoer back to that period in American history. Here is how:
First of all, sorry to say, you you have booked your bet into the wrong house. Lincoln Center Theatre is way too modern a space. I urge you to break the lease, whatever it costs, and transfer to the quaint old Lyceum. Such a musty place, so wonderfully full of yesteryear's Broadway ghosts. Just stepping inside the place, you can almost imagine Richard Rodgers and Oscar Hammerstein lurking somewhere about.
Secondly, decorate, no, DRENCH the theatre in the imagery of the 1940s. Big band sounds upon entering. Photos of movie stars and theatre icons. Ushers dressed in the attire of the times. Purpose being to transport us back. The more we can be made to feel the era in which this melodic masterpiece was created, the better the chances are that we will connect emotionally to its central characters and themes. We've "got to be taught," yes -- all over again.
Third: Your production needs to honor the period, period. No Henry David Hwang deconstructions. No modernizing the subtext or transgenderizing the cast.
Now to the most critical challenge: Nellie Forbush. Not another sugar-dispensing Julie Andrews clone. Introduce your director to sound recordings and film footage of the late Mary Martin. Her soul was carved out of both sugar and spice. Give us a real female hick with downhome authenticity. This is the most daunting task you face.
End of Memo. Break a leg, big time...
Guys of GOSSIP GIRL Cover Out Magazine
They may have supporting roles in “Gossip Girl” but Ed Westwick, Chace Crawford and Penn Badgley, the “Gossip Guys”, are the 3 reasons why the show’s a hit. This is why they cover the March 2008 issue of Out magazine. Needless to say, they’re not “out” or gay or anything, they just hooked the gay televiewers that’s why they are featured in OUT.
Photo Credit: You Know You Love Me Photos by Kenneth Cappello.
Article Source: Starmometer
PISAY Wins in France
Aureaus Solito’s “Pisay,” about eight Philippine Science High School students’ coming of age in the 1980s, bagged two awards in the 14th Vesoul International Film Festival of Asian Cinema in France.
“Pisay” won the Grand Prix du Jury (Grand Prize of the International Jury) and the Prix du Public (Audience Prize).
The filmmaker attended the week-long festival (Jan. 29 to Feb. 5). He was accompanied by actors EJ Jallorina, Carl Barrameda, Claudine Najera and production designer Endi “Hai” Balbuena.
“The film was cited for ‘good spirit, acting, scenario and [direction],” Solito wrote. He added that the Audience Prize was presented by the mayor of Vesoul.
“Pisay” debuted in last year’s Cinemalaya Philippine Independent Film Festival, where it won the Best Director and Best Production Design awards.
Pisay Movie Trailer:
Source: Marinel Cruz, PDI ; BiNowGayLater
“Pisay” won the Grand Prix du Jury (Grand Prize of the International Jury) and the Prix du Public (Audience Prize).
The filmmaker attended the week-long festival (Jan. 29 to Feb. 5). He was accompanied by actors EJ Jallorina, Carl Barrameda, Claudine Najera and production designer Endi “Hai” Balbuena.
“The film was cited for ‘good spirit, acting, scenario and [direction],” Solito wrote. He added that the Audience Prize was presented by the mayor of Vesoul.
“Pisay” debuted in last year’s Cinemalaya Philippine Independent Film Festival, where it won the Best Director and Best Production Design awards.
Pisay Movie Trailer:
Source: Marinel Cruz, PDI ; BiNowGayLater
NUTAM TV RATINGS: January 27 - February 2, 2008
AGB Nielsen NUTAM (Nationwide Urban TV Audience Measurement) TV Rating from January 27 - February 2, 2008 at Mega Manila, Metro Manila, and Suburbs shows a dominant Kapamilya programming as Kung Fu Kids leads the race with Lobo as best 2nd.
Here are the Top 5 primetime overnight ratings based on sample homes all over the country:
Kung Fu Kids (ABS-CBN) - 37.1%
Lobo (ABS-CBN) - 36.3%
Marimar (GMA-7) - 32.7%
TV Patrol World (ABS-CBN) - 31.6%
Palos (ABS-CBN) -29.3%
Source: AGB Nielsen NUTAM
Here are the Top 5 primetime overnight ratings based on sample homes all over the country:
Kung Fu Kids (ABS-CBN) - 37.1%
Lobo (ABS-CBN) - 36.3%
Marimar (GMA-7) - 32.7%
TV Patrol World (ABS-CBN) - 31.6%
Palos (ABS-CBN) -29.3%
Source: AGB Nielsen NUTAM
AGB NIELSEN TV RATINGS: February 4 - 7, 2008
GMA 7 is still the number television network in the Philippines according to the latest AGB Nielsen survey.
Kapuso network still dominates the Top 5 primetime shows from February 4 to 5. Meanwhile, 4 shows from the Kapamilya network and 1 from the Kapuso network are occupying the sixth to tenth slots.
Marimar posted its highest rating last Wednesday, February 6, with 46% and still in the number 1 slot. Also consistent in their positions as the 2nd and 3rd most-watched primetime shows are Richard Gutierrez's Kamandag and the Koreanovela Coffee Prince, respectively. Zaido on its last week posted at 4th place and newscast 24 Oras at number 5 slot.
Although Piolo Pascual and Angel Locsin's Lobo took the 6th slot last Monday, Kung Fu Kids managed to overtake from Tuesday to Thursday. TV Patrol World grabbed the No. 8 position in all nights, except last Tuesday when it dropped to No. 10.
Jake Cuenca and Cesar Montano's Palos, in the meantime, was also firm at No. 9 but it was able to climb to No. 8 Wednesday.
The reality show Kung Ako Ikaw took the last spot on Monday and Tuesday, although it moved to No. 9 on Wednesday.
GMA-7's new horror-drama anthology, E.S.P. starring Iza Calzado, debuted at No. 10 last night, February 7, with 18.6 percent.
In the daytime race, Eat Bulaga! only relinquished its crown once when Daisy Siete managed to pull ahead last Tuesday.
Here are the Top 10 daytime and primetime programs from February 4 to 7 based on the overnight ratings conducted by AGB Nielsen Philippines among Mega Manila households:
February 4 (Monday)
Daytime:
Eat Bulaga! (GMA-7) - 20.1%
Daisy Siete (GMA-7) - 19.8%
Takeshi's Castle (GMA-7) - 16.4%
Maging Akin Ka Lamang (GMA-7) - 16%
My Only Love (GMA-7) - 15.8%
Hana Yori Dango 2 (GMA-7) - 15.1%
Wowowee (ABS-CBN) - 14.5%
Come Back Soon-Ae (GMA-7) - 14.3%
Wheel Of Fortune (ABS-CBN) - 14%
Pilipinas, Game KNB? (ABS-CBN) - 13%
Primetime:
Marimar (GMA-7) - 40.8%
Kamandag (GMA-7) - 35.8%
Coffee Prince (GMA-7) - 32.7%
Zaido (GMA-7) - 30.5%
24 Oras (GMA-7) - 28.6%
Lobo (ABS-CBN) - 24.8%
Kung Fu Kids (ABS-CBN) - 24.2%
TV Patrol World (ABS-CBN) - 22.6%
Palos (ABS-CBN) - 19.4%
Kung Ako Ikaw (GMA-7) - 18.2%
February 5 (Tuesday)
Daytime:
Daisy Siete (GMA-7) - 21.8%
Eat Bulaga! (GMA-7) - 21%
Hana Yori Dango 2 (GMA-7) - 16.8%
Wowowee (ABS-CBN) - 16.6%
Takeshi's Castle (GMA-7) - 16.4%
Maging Akin Ka Lamang (GMA-7) - 16.3%
Pilipinas, Game KNB? (ABS-CBN) - 15.5%
Wheel Of Fortune (ABS-CBN) - 13.9%
My Only Love (GMA-7) - 13%
Come Back Soon-Ae (GMA-7) - 12.9%
Primetime:
Marimar (GMA-7) - 45.2%
Kamandag (GMA-7) - 38.4%
Coffee Prince (GMA-7) - 34.1%
24 Oras (GMA-7) - 31.1%
Zaido (GMA-7) - 29.7%
Kung Fu Kids (ABS-CBN) - 24.2%
Lobo (ABS-CBN) - 24.1%
TV Patrol World (ABS-CBN) - 22.5%
Palos (ABS-CBN) - 20.5%
Kung Ako Ikaw (GMA-7) - 19.6%
February 6 (Wednesday)
Daytime:
Eat Bulaga! (GMA-7) - 23.9%
Daisy Siete (GMA-7) - 21.8%
Takeshi's Castle (GMA-7) - 16.2%
Wowowee (ABS-CBN) - 16.1%
Pilipinas, Game KNB? (ABS-CBN) - 15.3%
Maging Akin Ka Lamang (GMA-7) - 14.5%
My Only Love (GMA-7) - 14.2%
Wheel Of Fortune (ABS-CBN) - 13.9%
Come Back Soon-Ae (GMA-7) - 13.8%
SiS (GMA-7) - 12%
Primetime:
Marimar (GMA-7) - 46%
Kamandag (GMA-7) - 36.4%
Coffee Prince (GMA-7) - 35.6%
Zaido (GMA-7) - 32.2%
24 Oras (GMA-7) - 25%
Kung Fu Kids (ABS-CBN) - 23.7%
Lobo (ABS-CBN) - 23.6%
Palos (ABS-CBN) - 20.3%
Kung Ako Ikaw (GMA-7) - 19.4%
TV Patrol World (ABS-CBN) - 19.2%
February 7 (Thursday)
Daytime:
Eat Bulaga! (GMA-7) - 23.6%
Daisy Siete (GMA-7) - 22.5%
Wheel Of Fortune (ABS-CBN) - 17.1%
Takeshi's Castle (GMA-7) - 16.6%
Wowowee (ABS-CBN) - 16.3%
Maging Akin Ka Lamang (GMA-7) - 15.7%
Pilipinas, Game KNB? (ABS-CBN) - 15.5%
My Only Love (GMA-7) - 14.8%
Hana Yori Dango 2 (GMA-7) - 14.6%
Come Back Soon-Ae (GMA-7) - 12.9%
Primetime:
Marimar (GMA-7) - 45.4%
Kamandag (GMA-7) - 36.4%
Coffee Prince (GMA-7) - 34.7%
Zaido (GMA-7) - 32.9%
24 Oras (GMA-7) - 30.1%
Kung Fu Kids (ABS-CBN) - 25.2%
Lobo (ABS-CBN) - 24.6%
TV Patrol World (ABS-CBN) - 24.3%
Palos (ABS-CBN) - 21.3%
E.S.P. (GMA-7) - 18.6%
Source: AGB Nielsen Philippines
Kapuso network still dominates the Top 5 primetime shows from February 4 to 5. Meanwhile, 4 shows from the Kapamilya network and 1 from the Kapuso network are occupying the sixth to tenth slots.
Marimar posted its highest rating last Wednesday, February 6, with 46% and still in the number 1 slot. Also consistent in their positions as the 2nd and 3rd most-watched primetime shows are Richard Gutierrez's Kamandag and the Koreanovela Coffee Prince, respectively. Zaido on its last week posted at 4th place and newscast 24 Oras at number 5 slot.
Although Piolo Pascual and Angel Locsin's Lobo took the 6th slot last Monday, Kung Fu Kids managed to overtake from Tuesday to Thursday. TV Patrol World grabbed the No. 8 position in all nights, except last Tuesday when it dropped to No. 10.
Jake Cuenca and Cesar Montano's Palos, in the meantime, was also firm at No. 9 but it was able to climb to No. 8 Wednesday.
The reality show Kung Ako Ikaw took the last spot on Monday and Tuesday, although it moved to No. 9 on Wednesday.
GMA-7's new horror-drama anthology, E.S.P. starring Iza Calzado, debuted at No. 10 last night, February 7, with 18.6 percent.
In the daytime race, Eat Bulaga! only relinquished its crown once when Daisy Siete managed to pull ahead last Tuesday.
Here are the Top 10 daytime and primetime programs from February 4 to 7 based on the overnight ratings conducted by AGB Nielsen Philippines among Mega Manila households:
February 4 (Monday)
Daytime:
Eat Bulaga! (GMA-7) - 20.1%
Daisy Siete (GMA-7) - 19.8%
Takeshi's Castle (GMA-7) - 16.4%
Maging Akin Ka Lamang (GMA-7) - 16%
My Only Love (GMA-7) - 15.8%
Hana Yori Dango 2 (GMA-7) - 15.1%
Wowowee (ABS-CBN) - 14.5%
Come Back Soon-Ae (GMA-7) - 14.3%
Wheel Of Fortune (ABS-CBN) - 14%
Pilipinas, Game KNB? (ABS-CBN) - 13%
Primetime:
Marimar (GMA-7) - 40.8%
Kamandag (GMA-7) - 35.8%
Coffee Prince (GMA-7) - 32.7%
Zaido (GMA-7) - 30.5%
24 Oras (GMA-7) - 28.6%
Lobo (ABS-CBN) - 24.8%
Kung Fu Kids (ABS-CBN) - 24.2%
TV Patrol World (ABS-CBN) - 22.6%
Palos (ABS-CBN) - 19.4%
Kung Ako Ikaw (GMA-7) - 18.2%
February 5 (Tuesday)
Daytime:
Daisy Siete (GMA-7) - 21.8%
Eat Bulaga! (GMA-7) - 21%
Hana Yori Dango 2 (GMA-7) - 16.8%
Wowowee (ABS-CBN) - 16.6%
Takeshi's Castle (GMA-7) - 16.4%
Maging Akin Ka Lamang (GMA-7) - 16.3%
Pilipinas, Game KNB? (ABS-CBN) - 15.5%
Wheel Of Fortune (ABS-CBN) - 13.9%
My Only Love (GMA-7) - 13%
Come Back Soon-Ae (GMA-7) - 12.9%
Primetime:
Marimar (GMA-7) - 45.2%
Kamandag (GMA-7) - 38.4%
Coffee Prince (GMA-7) - 34.1%
24 Oras (GMA-7) - 31.1%
Zaido (GMA-7) - 29.7%
Kung Fu Kids (ABS-CBN) - 24.2%
Lobo (ABS-CBN) - 24.1%
TV Patrol World (ABS-CBN) - 22.5%
Palos (ABS-CBN) - 20.5%
Kung Ako Ikaw (GMA-7) - 19.6%
February 6 (Wednesday)
Daytime:
Eat Bulaga! (GMA-7) - 23.9%
Daisy Siete (GMA-7) - 21.8%
Takeshi's Castle (GMA-7) - 16.2%
Wowowee (ABS-CBN) - 16.1%
Pilipinas, Game KNB? (ABS-CBN) - 15.3%
Maging Akin Ka Lamang (GMA-7) - 14.5%
My Only Love (GMA-7) - 14.2%
Wheel Of Fortune (ABS-CBN) - 13.9%
Come Back Soon-Ae (GMA-7) - 13.8%
SiS (GMA-7) - 12%
Primetime:
Marimar (GMA-7) - 46%
Kamandag (GMA-7) - 36.4%
Coffee Prince (GMA-7) - 35.6%
Zaido (GMA-7) - 32.2%
24 Oras (GMA-7) - 25%
Kung Fu Kids (ABS-CBN) - 23.7%
Lobo (ABS-CBN) - 23.6%
Palos (ABS-CBN) - 20.3%
Kung Ako Ikaw (GMA-7) - 19.4%
TV Patrol World (ABS-CBN) - 19.2%
February 7 (Thursday)
Daytime:
Eat Bulaga! (GMA-7) - 23.6%
Daisy Siete (GMA-7) - 22.5%
Wheel Of Fortune (ABS-CBN) - 17.1%
Takeshi's Castle (GMA-7) - 16.6%
Wowowee (ABS-CBN) - 16.3%
Maging Akin Ka Lamang (GMA-7) - 15.7%
Pilipinas, Game KNB? (ABS-CBN) - 15.5%
My Only Love (GMA-7) - 14.8%
Hana Yori Dango 2 (GMA-7) - 14.6%
Come Back Soon-Ae (GMA-7) - 12.9%
Primetime:
Marimar (GMA-7) - 45.4%
Kamandag (GMA-7) - 36.4%
Coffee Prince (GMA-7) - 34.7%
Zaido (GMA-7) - 32.9%
24 Oras (GMA-7) - 30.1%
Kung Fu Kids (ABS-CBN) - 25.2%
Lobo (ABS-CBN) - 24.6%
TV Patrol World (ABS-CBN) - 24.3%
Palos (ABS-CBN) - 21.3%
E.S.P. (GMA-7) - 18.6%
Source: AGB Nielsen Philippines
Kamis, 07 Februari 2008
HOLLYWOOD's Most Influential Couples
To determine which couple landed in Forbes.com's A-list of Hollywood's 12 Most Influential Couples, continue reading below:
No. 1: Angelina Jolie And Brad PittPitt first sent the media swooning when he left wife Jennifer Aniston for his Mr. and Mrs. Smith co-star. Since then, the globe-trotting couple, well-known by their tabloid moniker "Brangelina," has managed to stay ever-present in the press. Whether it's a new child, a new project or a new city of origin, the gorgeous pair is rarely without a news peg for the media to feast on. The latest development for the tabloid magnets: pregnancy rumors.
No. 2: Kate Moss And Pete DohertyThough the super-model and her on-again, off-again beau called it quits in July 2007, they lingered on as a fixture in the press, thanks to their drama-heavy history and lurid antics (reported drug use, public spats and dangerous stunts). Moss has been linked to The Kills' guitarist Jamie Hince since the break-up, while Doherty reportedly rebounded with fashion model Irina Lazareanu, only to break it off after a month-long engagement.
No. 3: Nicole Kidman And Keith UrbanSince tying the knot, the Aussie couple has managed to serve up beauty, talent and plenty of buzz. But rather than focus on their budding romance, it was Urban's fast foray into rehab that kept the magazines--and the public--tuned in. Kidman's pregnancy promises to keep the power-couple very much in the limelight for many months to come.
No. 4 (Tie): Demi Moore And Ashton KutcherThanks to Moore and Kutcher's drastic age difference and unique family dynamics (her ex-hubby Bruce Willis vacations with the pair), the fan-friendly pairing ranks high on the list. In fact, the only area in which the bold-face couple seems to fall short is in their ability --make that inability-- to generate scandal.
No. 4 (Tie): Katie Holmes And Tom CruiseIn recent years, the Top Gun star has proved he's adept at serving up drama both on-screen and off. His relationship with the Dawson's Creek alumna has been scoring headlines almost from the start. Between their devotion to Scientology, their picture-perfect daughter and their much-publicized passion for each other, the married couple is a tabloid staple.
No. 6: Pamela Anderson And Rick SalomonThe Baywatch babe's rocky relationship with a man famous for high-profile trysts offered more tabloid fodder than it did marital bliss. After just two months, Anderson filed for divorce, only to follow up with public statements about wanting to stay together and work through their troubles.
No. 7: Tracey Edmonds And Eddie MurphyThe Hollywood couple may have trouble with matrimony, but publicity they've got down. After a rumor-filled year together, the couple exchanged vows on New Year's Day on a private island off Bora Bora. The catch? They split up two weeks later, before the union was ever legalized.
No. 8: Eva Longoria And Tony Parker
After a very public courtship--including a much-publicized break-up and make-up--the Desperate Housewife and NBA star wed in Parker's native France in July 2007. Accusations of Parker "double-dribbling" hit the press in December, which added interest to the couple's otherwise picturesque relationship; he adamantly denies the rumor. Longoria, who is the subject of still other rumors (Is she or isn't she pregnant?), has remained supportive as she cheers him on from the sidelines.
No. 9 (Tie): Cameron Diaz And Justin TimberlakeAfter a four-year relationship rife with rumors--Are they engaged? Are they splitting?--Diaz and Timberlake finally called it quits early last year. But the end for the Hollywood power couple didn't happen happily or quickly: Upon seeing her ex flirting with Seventh Heaven's Jessica Biel (Timberlake's current squeeze) at a Golden Globes party, Diaz reportedly snapped at both stars, garnering plenty of media mentions in the process.
No. 9 (Tie): Jessica Simpson And Tony RomoThe high-profile coupling of Simpson and Romo hasn't exactly been a fan favorite. After the Dallas Cowboys quarterback performed poorly on the field, fans and teammates alike placed blame on the pop-star, dubbing her "Jess the Jinx." The result: Simpson has since stayed out of the spotlight during his games, leaving the paparazzi to snap the hot couple on romantic rendezvous instead.
No. 11: Victoria Beckham And David BeckhamAfter more than a decade together, Posh and Becks remain a flash-bulb favorite. After their much-publicized move across the pond last year, the always stylish pair consistently garners interest from their kids, careers and celebrity pals.
No. 12: Nicole Richie And Joel MaddenMadden, a rocker with Good Charlotte, and Richie, a pint-sized and scandal-prone celebutante, certainly seemed a tabloid-friendly fit when they paired up in early 2007. But it was their Good Morning America announcement of Richie's pregnancy that ensured the engaged duo would stay in the limelight throughout the year.
SAM MILBY Umamin sa Naging Relasyon Nila ni TONI at ANNE
Inamin ni Sam Milby na pareho niyang naka-M.U. (mutual understanding) sina Toni Gonzaga at Anne Curtis. Tatlong buwan umano umabot ang kanilang M.U. noon.
Ang career nila ni Toni ang itinuturo nya'ng dahilan kung bakit hindi umabot sa totohanang relasyon ang M.U. nila. Natakot daw sila na baka magkaroon ng negatibong epekto `yon sa kanilang trabaho. Bukod pa sa masyado raw silang busy nung mga time na `yon.
Inamin din ni Sam na ang parents ni Toni ang dahilan kung bakit hindi natuloy ang relasyon nila. Kasi raw, hindi raw siya marunong manligaw ng Pinoy style, at baka hindi `yon magustuhan ng parents ni Toni.
Anyway, sa ngayon ay aminado si Sam na mas seryoso siya sa nararamdaman niya kay Anne. Desidido raw siyang ligawan muli si Anne, matapos nilang mag-break.
Isang buwan na raw niyang nililigawan si Anne. At nakakatuwa si Sam, dahil ibinabase niya sa librong “Boy Meets Girl” ang style ng panliligaw niya kay Anne.
Ayaw raw kasi niyang magkamali sa panliligaw kay Anne ngayon, kaya step by step ay sinusunod niya ang nakalagay sa libro.
Sabi pa ni Anne, marami na silang pinagdaanan ni Anne, at ngayon niya naramdaman nang husto na si Anne na talaga ang tamang babae para sa kanya.
Ang pagiging busy raw niya ang dahilan kung bakit hindi natuloy sa seryosong usapan ang kanilang relasyon.
At gustong baguhin ni Sam `yon ngayon, kaya umaasa siya na sasagutin siya ni Anne, para maipadama niya rito na mahal na mahal niya ito.
Well, bagamat magkasama sina Sam at Toni sa My Big Love, lumalabas na malabo na talaga silang magkatuluyan pa. Pare-pareho nga silang may kanya-kanyang mahal, si Anne kay Sam, at si direk Paul Soriano kay Toni.
Sabi nga ni Sam, wala siyang pagsisisi kung hindi natuloy ang relasyon nila ni Toni, dahil nakikita niya na masaya ito ngayon kay direk Paul.
Anyway, showing na sa February 27 ang My Big Love movie nila ni Toni kasama si Kristine Hermosa. Sa direksyon ni Jade Castro para sa Star Cinema.
Source: Rey Pumaloy
MARIAN RIVERA is the New Dyesebel
Its confirmed. Marian Rivera will play as the title role in the TV adaptation of the popular Philippine mermaid character Dyesebel.Her leading man has yet to be announced by his home studio GMA 7.
Dyesebel is the new fantasy drama of GMA 7 and another adaptation of the famous graphic novel Mars Ravelo. The series will be directed by Joyce Bernal.
HEATH LEDGER's Caused of Death Revealed
Accidental overdose is said to be the caused of Hollywood actor Heath Ledger's death according to New York City Medical Examiner's Office report."Mr. Heath Ledger died as the result of acute intoxication by the combined effects of oxycodone, hydrocodone, diazepam, temazepam, alprazolam and doxylamine. We have concluded that the manner of death is accident, resulting from the abuse of prescription medications " the medical examiner's spokeswoman, Ellen Borakove, said in a written statement.
Officials of the Drug Enforcement Administration is working with the FBI and New York Police to conduct a routine investigation as to how the late actor got hold of a painkiller and sedatives (a combination of opiates and benzodiazepines; oxycodone, hydrocodone, diazepam, temazepam, alprazolam and doxylamine) prescription that ended his life.
The actor found dead at his Soho loft on January 22, 2008. He had rented the luxury loft following his split last September from actress Michelle Williams, , with whom he had lived in Brooklyn along with their infant daughter.
GLAIZA De CASTRO to Star in the new GMA7's Sine Novela
Glaiza De Castro will star in GMA 7 Sine Novela's upcoming feature Kaputol ng Isang Awit. The lead role was initially offered to Jolina Magdangal but, according to source, is now finally landed in the lap of Glaiza which is being groomed by Kapuso network as the next drama princess.
The movie, which was released back in 1991 by Viva Films featured the tandem of Sharon Cuneta as Sarah Montes, Gary Valenciano and TonTon Gutierrez.
In today's TV adaptation, Glaiza will play as Sarah Montes with Marky Ciela and Jolo Revilla in the cast. The TV series will be directed by Mike Tuviera.
This is, so far, Glaiza's biggest break after she decided to leave his previous mother company ABS-CBN.
The movie, which was released back in 1991 by Viva Films featured the tandem of Sharon Cuneta as Sarah Montes, Gary Valenciano and TonTon Gutierrez.In today's TV adaptation, Glaiza will play as Sarah Montes with Marky Ciela and Jolo Revilla in the cast. The TV series will be directed by Mike Tuviera.
This is, so far, Glaiza's biggest break after she decided to leave his previous mother company ABS-CBN.
Rabu, 06 Februari 2008
EDISON CHEN Makes a Public Apology
The Edison Chen sex photo scandal that involved some Chinese actresses like Joey Yung, Bobo Chan, Cecilia Cheung is now tagged as the latest showbiz big buzz not just in Hong Kong but in other Asian countries as well.It started in January 2008 when nude photographs of people resembling the actors engaging in sexual acts with each other were distributed on the internet.
According to CNN, eight people have been arrested by the Hong Kong police for being connected with the distribution of the photos as of February 4, 2008. But these actions have raised concerns about violation of human rights and the relationship with powerful media tycoons.
After the exposure of the scandalous photograph, Chen quietly left Hong Kong and flew to Boston. And on February 1, Chen finally decided to break his silence through an article he posted in his blog. The blog’s content became the headline of several local papers the next day. But in the same day, Chen quickly left another message in his blog and clarified that article was written in May 2007 and not responding to the recent incident. Furthermore he was asking the media to report the truth rather than "destroying one's life".
[As of this evening, the police have made significant advances towards solving this malicious crime. As from the beginning I will continue to give the police my fullest cooperation to bring the perpetrators to justice. At this time I am not able to discuss matters related to the case, but I do feel it is my obligation to accept full responsibility and take action to help both the victims and those associated with them to heal their wounds. In this regard, I plead with everyone to please stop forwarding the images on the internet. Furthermore, to completely rid the images from your computer. This is a small step that each one of us can take to help the innocent rebuild their lives. The priority now is for all of us to pitch in and help those in need.
– Edison Chen, as posted in his blog]
On February 4, Chen sent a 90-second video clip, spoken entirely in English, to the press. In the video clip, Chen apologized to those who may have been affected by the posting of compromising nude photographs. He did not comment on the authenticity of the photos.
On 5 February, Chen was pulled from the upcoming Stephen Chow movie Jump as a result of the scandal. There are also rumors that the marriage of Cecilia Cheung and Nicholas Tse is on the rocks over the scandal.
SHEREE, Soon to be Mom
Its confirmed. Sheree Bautista, the main lead in the Indie film Roxxxane and a former Viva Hotbabe member is pregnant.
The culprit is no other than his boyfriend, Philippine Idol 1st runner up and SOP mainstay Gian Magdangal.
KATRINA at CHRISTINE's FHM Calendar Mahina ang Benta
Di nakatulong ang mataas na rating ng Marimar at ang pagkaka-ugnay ni Willie Revillame kay Christine Reyes sa sales ng FHM 2008 Calendar tampok ang dalawang sexy actress.
Dagdag dito, may sawa factor na rin ang tao kay Katrina Halili aside from the fact na mas marami pang mas maganda at sexy na pwedeng i-feature ang FHM bukod sa dalawa.
Inaasahan na makatutulong sa sales ng calendar ang upcoming lingerie fashion show ni Katrina on Valentines Day entitled "Katrina Halili Intimate Lingerie Fantasies" featuring her own line of lingerie and swimwear called Playmates.
JUSTIN TIMBERLAKE on Pepsi Stuff Super Bowl Commercial
Justin Timberlake stars in this 'Pepsi Stuff' Super Bowl XLII commercial. It plays on the idea of Timberlake’s 'Magnetic Attraction' and follows Justin as an invisible force drags him through city streets, subjects him to crotch-crunching agony, and drops him at the feet of a Pepsi-sipping girl.
Access Hollywood aired the behind the scenes from Justin Timberlake`s much awaited Pepsi Commercial that aired live at the Super Bowl last February 3. To have a glimpse of how it's done, click on the video below courtesy of Access Hollywood.
Will it be SAM vs. RICHARD again this Valentine?
Initially, Star Cinema announces that their first movie for 2008 is their Valentine offering "My Big Love" which coincide with GMA Films & Regal Entertainment's "My Bestfriend's Girl Friend" starring Richard Gutierrez.
But Star Cinema stepped back and decided to have their movie shown two weeks after Valentine. Is it "business-as-usual" with Star Cinema?
Last 2007, Richard and Angel's (Locsin) movie "The Promise" was also shown two weeks ahead of Sam and Toni's (Gonzaga)You've Got Me with Zanjoe Marudo as the third wheel.
This year, sina Richard at Sam din ang stars ng mga Valentine movies ng GMA Films & Regal Entertainment at Star Cinema.
Opening on February 13 is the fourth successive Valentine movie of Richard Gutierrez, Let The Love Begin (2005), I Will Always Love You (2006), and The Promise (2007). My Best Friend's Girl Friend also stars Marian Rivera, JC De Vera plays Marian's boyfriend and bestfriend to Richard, Ehra Madrigal and newcomer Alex Castro. This movie was written by Suzette Doctolero and Directed by Mark A. Reyes.
But Star Cinema stepped back and decided to have their movie shown two weeks after Valentine. Is it "business-as-usual" with Star Cinema?
Last 2007, Richard and Angel's (Locsin) movie "The Promise" was also shown two weeks ahead of Sam and Toni's (Gonzaga)You've Got Me with Zanjoe Marudo as the third wheel.
This year, sina Richard at Sam din ang stars ng mga Valentine movies ng GMA Films & Regal Entertainment at Star Cinema.
Opening on February 13 is the fourth successive Valentine movie of Richard Gutierrez, Let The Love Begin (2005), I Will Always Love You (2006), and The Promise (2007). My Best Friend's Girl Friend also stars Marian Rivera, JC De Vera plays Marian's boyfriend and bestfriend to Richard, Ehra Madrigal and newcomer Alex Castro. This movie was written by Suzette Doctolero and Directed by Mark A. Reyes.
Star Cinema's My Big Love, however, reunites the loveteam of Sam Milby and Toni Gonzaga. Joining them in the movie is Kristine Hermosa. Directed by Jade Castro, this movie will be shown on February 27, 2008.
My Big Love is the fourth movie of Sam Milby, after Close To You, You Are The One, and You've Got Me.
Selasa, 05 Februari 2008
Minggu, 03 Februari 2008
Some Enchanted Evening A Long Long Time Ago, They Lit Up Broadway ...
Come March, the Pulitzer prize winning musical South Pacific, created nearly 60 years ago by legendary musical theater pioneers Richard Rodgers and Oscar Hammerstein II, will be given its first Broadway revival. Can the kings of the “golden age” do it again? More important, can the 1950s live again? During that outwardly innocent period, R&H dominated Broadway stages. Their songs were sung on radio hit parades. Their made-for-televison original, Cinderella, was seen by over 107 million viewers in 1957 (nearly twice as many as those who watched Elvis Presley shake his sexy hips on the Ed Sullivan Show). A televison tribute to their work in the fifties was broadcast on all three major television networks. Unprecedented?
As much a fan as I am of R&H, I can’t see the odds being in their favor. Times have changed (some would say progressed) so drastically since America embraced tunes about cockeyed optimists, about singing nuns and poetic cowboys breaking into music over beautiful mornings. Now on Broadway, contemporary society — more cynical and disjointed, carved out from all the social upheavals that have split the nation apart since the 1960s — offers the grist that musical theater must confront in order to stay relevant at the box office. Think Hairspray and Wicked. Think any number of Stephen Sondheim revivals — Sweeney Todd for starters?
A fan like me dreams that the younger generations will discover the magic that cast a spell over my boyhood. Dream on. When Robert Goulet toured in South Pacific less than ten years ago, at a matinee in San Francisco I was seated next to a young couple who looked as if they had wandered in on a lark. During the first half of the performance, gratefully attended by a not-young crowd, the younger woman to my left shuffled through her program in the manner of an impatient patron. No surprise when she and her date did not return after intermission. I felt a sadness, though, as if to be witnessing the demise of a theatrical force that once held audiences spellbound. No longer. The fact is, today’s hits inevitably become tomorrow’s fondly remembered chestnuts. Of course there will always be an audience for the older “golden age” musicals. But, on revival row, the likes of a Chicago or a Cabaret (both cynically in step with today) are the rare exceptions. I note that A Chorus Line in revival is not setting the box office on fire.
You almost had to have grown up when South Pacific and The King and I, Flower Drum Song and The Sound of Music first hit the boards. Had to have been young and impressionable enough for their songs to have taken up residence in your soul. I will never forget listening to Mary Martin singing “A Cockeyed Optimist” from an old radio my brother and I shared in our bedroom in Santa Rosa and being absolutely mesmerized by the lyric: “When the sky is a bright canary yellow, I forget every cloud I’ve ever seen...” Something about that moment enchanted me so that my tastes were formed for life. I am sublimely grateful.
Now in song, today’s pop icons celebrate social mayhem. White kids dig what black hip hoppers give them, and, to quote an Oscar Hammerstein lyric from The Sound of Music, “there’s no way to stop it.”
There never was. A very good friend, older, still wants me to take in a Gilbert & Sullivan. I have no interest. In fact, I fear shuffling through a program and wanting to exit at intermission. As the world grows ever more self-centered and expedient and "relationships" are being redefined in so many variant ways, the worlds of Rodgers and Hammerstein feel less relevant, less emotionally compelling. I hope that South Pacific is there when I am in New York in May. Maybe, miracle of miracles, this will be the one that stays on the boards for a very long time, not for a respectably drawn out, money-losing one-year run at best.
The best I can hope for is that The Rodgers and Hammerstein Organization will refrain from another one of their lame-brain reconstructions of the sort that mangled Flower Drum Song from charming delight into labored rewrite dishonoring the source material upon which the work was originally based.
The best thing they can do is let Richard and Oscar be — on their own terms. You don’t repaint the Cystine Chapel. Don’t revise Ravel. "Who can explain it? Who can tell you why? Fools give you reasons. Wise men never try." That's more than good enough for me. So is the libretto, ground breaking in 1949. So please, keepers of the R&H legacy on the Avenue of the Americas, be wise and don't try.
Sabtu, 02 Februari 2008
Birth of New Game in San Francisco ... Showbiz David's BigTopolis Premieres at Leland Tea Company
A Night to Remember
Last thursday evening at Leland Tea Company on Bush Street during game night, friend Doug (seen here, left) and guest player Darien joined me for the very first play of my new game, BigTopolis -- battle of the big tops. Some historic firsts:
First to roll: myself. The dice added up to a ten, and that directed me to Clown Alley, out of which, by the draw or a Fortune card, I was convicted of selling moldy hot dogs on the midway, had to report to court and pay a $100 fine.
First city to be licensed by a circus owner: El Paso. First railroad passage booked: San Francisco to Portland on the Southern Pacific.
First to loose at my own game: Myself!
First to win: A draw was declared between Darien and Doug. Just as Leland Tea was about to close, Darien, virtually bankrupt, was on the verge of a dramatic comeback. He had only one date left, in New Orleans, but several star acts in his show which boosted greatly his ticket prices. So Doug, by virtue of landing there, suddenly owed Darien a huge amount of money. The game could have gone either way.
Yes, Thanks to Will, Ryan and Curtis at Leland Tea Company, to Doug and to Darien, indeed, for a night to remember!
